Z PAINTING W/NOTE

مجله موج ٣ و ٤

 زهره خالقی  

چرا نقاشی می کنم؟ من نقاشی می کنم زیرا که راهی برای بیان خویشتن من است. ممکن است یک قصه طولانی را بخوانم و خیالم مرا به اقلیم قصه بکشاند. اما وقتی در مقابل یک نقاشی بزرگ قرار می گیرم با این اندیشه تسخیر می شوم تا ببینم چه می خواهد بگوید. وقتی در برابر سه پایه نقاشی هستم و شور آن که به کجا و چه ها می بردم غرق می شوم دراین که با من چه می گوید. هراثر البته داستانی جداست و جشنی و حادثه یی. برای من هر نگاره ی نو ماجرای تازه ای است در نقطه یی دوردست که بایستی به دیدارش بروم... آن چه انجام می دهم کار عشق است، عشق به هنر.

Zohreh Khaleghi

Art has been there for me during the lowest and highest peaks of my life thus far and I cannot imagine my life without it. How on earth would I communicate if there wasn’t some form of art in my life?! I shutter to think about it, of everything and everyone I wouldn’t be connected to if not for art in my life. So instead of giving it any more thought, I pick up my brush and take heed to what I know... I knew art as a vessel that allowed me to transfer myself to another place, lose myself in my imagination, and return back to this world with proof of where I had been... I’ve made painting my language and, amazingly, it’s a language other people seem to understand as well...

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  Faramarz Soleimani Weavin tradition and nativity into modern painting,as well as poetry.Her focus is on narrative of canvas ,while canvas emreacing her narrative of colors.When it comes to contemporary ,these days we are witnessings works by Sirous Malek,Iran Darudi ,among other features of social media ,side by side with works from Zohreh Khaleghi but the latter is more remarkable to be Persian and belonging to an old and hidden artistic pattern during major part of our history . European enjoyed a free willy period of art for centuries, and Persian artists were always on the run .Now is the time for Iranian to revive the art which was like fire under ashes .That is what Zohreh is doing with lines and dots and colors and lights of Persian miniatures,ghahveh Khaneh school,Sagha Khaneh and likes ,with the language of modern art.

  
  

  
  

  Mb Rahimparast So glad to see gorgeous 'Shahrzade' back on this wall again, allbeit with some self-censorship of parts of the original portrait!, which I call unnecessary body-parts harvesting and mutilation!!!What does Ostad think of this uncalled for dismemberment of that shapely body, even if in the hands of the great creative creator of that stunning beauty herself