IS A SITE OF ART,LITERATURE, CULTURE AND SCIENCE,ESPECIALLY HEALTH AND MEDICAL SCIENCES,PUBLISHED IN MAJOR LANGUAGES AND IN SEVERAL CHAPTERS.THE GOAL OF THIS SITE IS TO PROVIDE,PRODUCE AND PROMOTE FREE WORDS AND IMAGES FOR FREE FOLKS OF OUR PLANET.
Thursday, October 29, 2009
3.THIRD WAVE/MOJ SEVOM
The Child Is Father To The Man
-WORDSWORTH
3. MOJ SEVOM DAR SHER MOASER IRAN/THIRD WAVE IN CONTEMPORARY PERSIAN POETRY,also: SHER IJAZ/POETRY OF APHORISM
see also:Donyaye Sokhan Magazine,Tehran 1366/1987
+mojbook.com
see also:mojsevvvom.com
for contemmporary persian poetry
2.NEW AND PURE WAVE/MOJ NO VA NAB
1.MANIFESTO OF ESPACEMENTALISME/SHER HAJM
The Child Is Father To The Man
-WORDSWORTH
WAVES OF CONTEMPORARY POETRY
(PERSIAN/ENGLISH/FRENCH AND...)
1.ESPACEMENTALISME/SPACEMENTALISM.
POETRY OF VOLUME orPOETRY OF SPACE
1.1. MANIFESTO OF ESPACEMENTALISM/SHER HAJM.
ALSO:NOTES ON MANIFESTO OF POETRY OF VOLUME
BY YADOLAH ROYAI AND ...
1.2.FARAMARZ SOLEIMANI'S ARCHITECT OF CRYSTALLOIDS.
ON POETRY OF VOLUME
2.MOJ NO VA NAB
2.1.NEW WAVE/SHER NOW
2.2.PURE WAVE/SHER NAB
3.THE THIRD WAVE OF CONTEMPORARY PERSIAN POETRY/
MOJ SEVOM
مقاله های ادبی سایت دیگران ، ویژه نامه ی هشت ،مانی�
also see:mojbook.com/sher hajm/poetry of volume/espacementalisme.
1.1.Manifesto of Espacementalisme
1.1.1.English Translation(F.Soleimani)
MANIFESTO OF POETRY OF VOLUME
(SPACEMENTALISM/ESPACEMENTALISM)
ESPACEMENTALISME/SPACEMENTALISM REGROUPS THOSE WHO BEYOND REALITIES ARE SEEKING ABSOLUTE,IMMEDIATE AND UNRELIEVED PERCEPTIONS.LONGING FOR THESE PERCEPTIONS MADE OTHER SEARCHES INVALID.
-IT IS ABSOLUTE FOR THE WISDOM OF EXISTENTIAL REALITY AND ITS ULTIMATE CAUSE THAT HAS BECOME IN ITS APPEARANCE AND IT IS NOT LIMITED TO THE MOTHER REALITY.
-IT IS IMMEDIATE AND URGENT,FOR THE POET TO ACHIEVE PERCEPTION TO JUMP QUICKLY FROM THE SPACE(==VOLUME)BETWEEN PERCEPTION TO MOTHER REALITY WITHOUT LEAVING A TRACE OR SIGN.
-IT IS UNRELIEVED ,FOR WHILE DISCOVERING A SPACE TO JUMP,
RAPTURE IS THE OTHER SPACES TO GIVE LONGING FOR DISCOVERY AND JUMP.
LET US REFLECT ON THESE WORDS:
FROM REALITY TO ASPECTS OF REALITY,FROM OBJECT TO OBJECT,THERE IS A DISTANCE.DISTANCES OF REALITY AND BEYOND.FROM A THOUSAND POINTS AND ONE THING,RAISES A THOUSAND RADIUS,EACH RADIUS REACHES A SYMBOL BEYOND THE THING,AND REALITY CONNECTS WITH A THOUSAND DIMENSIONS BY ITS THOUSAND SYMBOLS.THE SPACEMENTALIST POET TAKES THIS DISTANCE BY A JUMP.THIS IS DONE QUICKLY AND IMMEDIATELY.AND SO HE ESCAPES RELITY IN FAVOR OF ITS SYMBOL OR APPEARANCE.EACH SYMBOL HE CHOSES,HE JUMPS BY A DIMENSION BETWEEN THAT REALITY AND THAT CHOSEN SYMBOL,AND JUMPING THROUGH EACH DIMENSION,FROM WIDTH,FROM LENGHT AND FROM DEPTH.SO HE JUMPS FROM SPACE.SO HE IS SPACEMENTALIST/ESPACEMENTALISTE.AND AS HE WANTS TO JUMP SO HE IS SEARCHING FOR SPACE.
SPECEMENTALISM/ESPACEMENTALISME IS NOT SURREALISM.
THE DIFFERENCE IS THAT REACHES BEYOND FROM THE THREE DIMENSIONS AND IN REACHING THERE THEY MEET EACH OTHERS AT ONLY ONE POINT: IN JUMOING THROUGH LENGHT,ALTHOUGH THIS JUMP IS QUICKER.
SPACEMENTALIST/ESPACEMENTALISTE DOES NOT LEAVE A TRACE IN THIS JUMP.BEYOND HIS IMAGE,THERE ARE THOSE THREE DIMENSIONS , AND THESE THREE DIMENSIONS BUILD PIER TO TAKE READER TO WHERE THE POET HAS REACHED.
THE LONGING READER LEARNS SLOWLY HOW TO PASS THE PIER AND THEN BECOME AN ACCUSTOMED READER.ACCUSTOMED TO BREVITY,ACCUSTOMED TO REACH BEYOND THROUGH DIMENSIONS,TO WHERE POET OF SPACE HAS REACHED.THERE THE POET HAS NO WORD TO SAY.HAS NO DESCRIPTION,AND THEN EXPRESSES SOMETHING OF MYSTERY AND ASTONISHMENT.SAME AS WHAT THE MAGICIANS,PROPHETS,VEDISTS,BRAHMANS,MESSENGERS OF BLASPHEMY OR BELIEF EXPRESSED.MEANING POETRY.POETRY ITSELF.
SPACEMENTALISM/ESPACEMENTALISME IS NOT AUTOMATISM OR VOLUNTEERISM.IT IS VOLUNTEERY RAPTURE OR RAPTURED VOLUNTEER.A RAPTURE OF BEAUTY AND ESTHETICS.ITS VOLUTEERISM IS OF PASSION AND INTELLECT.OF FORM'S EXPECTATION AND ATTACHMENT TO DESTINY OF POETRY.
IT IS NOT DESIRE OR AMUSEMENT.IT IS A RUDE AND NERVOUS PULSATION.AN AWARE PULSATION IN A HUMAN BEING,INSANE FOR POETRY, WHO ENDANGERS HIMSELF AND IS NOT FREIGHTENED BY BEING SACRIFIED.POETRY OF SPACE IS NOT POETRY OF PRETTY WORDS.IT IS POETRY OF PERFECTION.IT IS WILD IN ITS PERFECTION AND BECOMES VIOLENT IN DISCOVERY OF BEAUTY.
IT IS NOT ANTIQUE BUT RAISES OUT OF SHELL OF ANTIQUITY.IT IS NOT MOVING THE REALITY.IT IS NOT REALITY.IT DOES NOT STOP AT EVERYDAY LIFE AND ON STREET TONGUE.SPACEMENTALISM/ESPACEMENTALISME ALWAYS THRIVES TO CREATE REALITY PURER THAN DAILY AND ORDINARY REALITY.
WE DO NOT GIVE REPRESENTATION OF OBJECTS.WE MAKE AN ASPECT OF THEIR ULTIMATE CAUSE AND THOSE ELEMENTS WE BORROW.WE INSTALL THEM FARAWAY WITH DISTANCING FROM REALITY.
THE FUNCTION OF POETRY IS NOT TELLING.IT IS CREATION OF A PIECE,MEANING POETRY IS SUBJECT OF ITS OWN . ELOQUANCE AND VERBAL PREOCCUPATIONS IS NOT OUR DREAM BUT WE DO NOT FORGET THE WORDS STRANGE MAGIC.
SPACEMENTALISM/ESPACEMENTALISME AVOIDS LIES OF IDEOLOGY
AND SHOP OF ENGAGEMENT,AND IF IT IS RESPONSIBLE ,IT IS RESPOSIBLE FOR SELF AND INNER SELF:
IT IS REVOLUTIONARY AND VIGIL.AND IF TALKS ABOUT ENGAGEMENT IT IS NOT ABOUT BEING ENGAGED,BUT MAKING ENGAGED,BECAUSE SPACEMENTALISM/ESPACEMENTALISME DOES NOT FOLLOW DIRECTIONAL ENGAGEMENT.IT IS GIVING INNER PROPHECY FOR CALLING AND DIRECTING.SO THIS POETRY IS FOR ENGAGING BUT IT IS NOT ENGAGED..
SPACEMENTALISM/ESPACEMENTALISME IS THE SCHOOL OF PERSIAN OTHER POETRY,IT IS THE ATTRIBUTE OF TIME WITH A CALL FOR THE WORLD AND AS IT IS THE ATTRIBUTE OF TIME IT COVERS ART,THEATRE,CINEMA AND MUSIC.AND THIS MANIFESTO IS AN INVITATION FOR STARTING WITH ARTISTS,PLAYWRIGHTS,CINEMATOGRAPHERS AND WRITERS WHO SEE THEMSELVES AND WE SEE THEM AS WELL ON DIRECTION OF THIS CALL.
SPACEMENTALISM/ESPACEMENTALISME REGROUPS THOSE POETS WHO REACHED THEIR LEVEL OF SKILL TO THE JOY OF JUMPING THROUGH THREE DIMENSIONS SO THIS MANIFESTO IS PICKING A RIPE FRUIT .WE ARE NOT LEADERS NOR IDOLS.
WE CHALLENGE.CHALLENGE AGAINST THOSE WHO BETRAY THIS DISCOVERY,TO SATISFY THEIR OWN PERSONAL OR SOCIAL ARROGANCE.BEING IT MULLAHS,SCHOLARS OR ARTISTS.*
In this translation,spacementalism/espacementalism may be replaced by:
poetry of space or poetry of volume.also he/she are exchangeable as well.
F.S.
*
*
1.1.2.French Translation(H.Sayar)
MANIFESTE DE LA ESPACEMENTALISME
POESIE DE VOLUME
L'espacementalisme regroupe ce qui,au-dela des realitee,sont en quete des perceptions absolues,immediates et sans soulagement.La soif de cette perception a annule eneux toute autre quete.
Elle est absolue parce qu'elle emane de la eaison d;etre de la realite,ainsi que sa finalite,et lors de son apparition elle ne se confine pas avec realite-mere.immediate,parce qu'afin de retrouver cette perception,le poete saute promptment,sans laisser trace,d'un volume et no de la longueur existant entre la perception et la realite -mere.
Sans soulagement parce qu'a la recherche d'un volume a sauter,il y a toujours l'attrait d'autres volumes qui donnent encore la soif du saut et de la decouverte.
Arretons-nous sur ce point:
Il existe une distance entre le reel et l'apparence du reel,entre l' object et l'apparence de rence du reel,entre l'object et l'apparence de l'object.Distance et distances entre le naturel de la realite et son surnaturel.De mille points d'une chose,mille rayons emanent et chaque rayon touche l'un des aspects de l'au-dela de cette chose ,ainsi la realite s'unite a ces mille dimension ,de mille manieres . Le poete espacementaliste parcourt cette distance d'un bond,prompt et immediat.Ainsi il fuit la realite pour joindre son apparence.Quel que soit le choix d'apparence,il saute d'un bon par-dessus la dimension existant entre la realite et cette apparencechoisie,En sautant chaque dimension,il saute de longeur,de largeur et de la profondeur,donc il saute d'un volume,d'un espacement:
Il est espacementaliste,constamment a l'affut d'un volume a sauter.
Espacementalisme n'est pas surrealisme.La difference reside dans le fait qu'il arrive en-decapar trois dimensions.En cette traversee ils se rencontrent en un seul point: en sautant de longeur.Le bond vers l'espace mental est,en occurence,plus prompt.
-WORDSWORTH
WAVES OF CONTEMPORARY POETRY
(PERSIAN/ENGLISH/FRENCH AND...)
1.ESPACEMENTALISME/SPACEMENTALISM.
POETRY OF VOLUME orPOETRY OF SPACE
1.1. MANIFESTO OF ESPACEMENTALISM/SHER HAJM.
ALSO:NOTES ON MANIFESTO OF POETRY OF VOLUME
BY YADOLAH ROYAI AND ...
1.2.FARAMARZ SOLEIMANI'S ARCHITECT OF CRYSTALLOIDS.
ON POETRY OF VOLUME
2.MOJ NO VA NAB
2.1.NEW WAVE/SHER NOW
2.2.PURE WAVE/SHER NAB
3.THE THIRD WAVE OF CONTEMPORARY PERSIAN POETRY/
MOJ SEVOM
مقاله های ادبی سایت دیگران ، ویژه نامه ی هشت ،مانی�
also see:mojbook.com/sher hajm/poetry of volume/espacementalisme.
1.1.Manifesto of Espacementalisme
1.1.1.English Translation(F.Soleimani)
MANIFESTO OF POETRY OF VOLUME
(SPACEMENTALISM/ESPACEMENTALISM)
ESPACEMENTALISME/SPACEMENTALISM REGROUPS THOSE WHO BEYOND REALITIES ARE SEEKING ABSOLUTE,IMMEDIATE AND UNRELIEVED PERCEPTIONS.LONGING FOR THESE PERCEPTIONS MADE OTHER SEARCHES INVALID.
-IT IS ABSOLUTE FOR THE WISDOM OF EXISTENTIAL REALITY AND ITS ULTIMATE CAUSE THAT HAS BECOME IN ITS APPEARANCE AND IT IS NOT LIMITED TO THE MOTHER REALITY.
-IT IS IMMEDIATE AND URGENT,FOR THE POET TO ACHIEVE PERCEPTION TO JUMP QUICKLY FROM THE SPACE(==VOLUME)BETWEEN PERCEPTION TO MOTHER REALITY WITHOUT LEAVING A TRACE OR SIGN.
-IT IS UNRELIEVED ,FOR WHILE DISCOVERING A SPACE TO JUMP,
RAPTURE IS THE OTHER SPACES TO GIVE LONGING FOR DISCOVERY AND JUMP.
LET US REFLECT ON THESE WORDS:
FROM REALITY TO ASPECTS OF REALITY,FROM OBJECT TO OBJECT,THERE IS A DISTANCE.DISTANCES OF REALITY AND BEYOND.FROM A THOUSAND POINTS AND ONE THING,RAISES A THOUSAND RADIUS,EACH RADIUS REACHES A SYMBOL BEYOND THE THING,AND REALITY CONNECTS WITH A THOUSAND DIMENSIONS BY ITS THOUSAND SYMBOLS.THE SPACEMENTALIST POET TAKES THIS DISTANCE BY A JUMP.THIS IS DONE QUICKLY AND IMMEDIATELY.AND SO HE ESCAPES RELITY IN FAVOR OF ITS SYMBOL OR APPEARANCE.EACH SYMBOL HE CHOSES,HE JUMPS BY A DIMENSION BETWEEN THAT REALITY AND THAT CHOSEN SYMBOL,AND JUMPING THROUGH EACH DIMENSION,FROM WIDTH,FROM LENGHT AND FROM DEPTH.SO HE JUMPS FROM SPACE.SO HE IS SPACEMENTALIST/ESPACEMENTALISTE.AND AS HE WANTS TO JUMP SO HE IS SEARCHING FOR SPACE.
SPECEMENTALISM/ESPACEMENTALISME IS NOT SURREALISM.
THE DIFFERENCE IS THAT REACHES BEYOND FROM THE THREE DIMENSIONS AND IN REACHING THERE THEY MEET EACH OTHERS AT ONLY ONE POINT: IN JUMOING THROUGH LENGHT,ALTHOUGH THIS JUMP IS QUICKER.
SPACEMENTALIST/ESPACEMENTALISTE DOES NOT LEAVE A TRACE IN THIS JUMP.BEYOND HIS IMAGE,THERE ARE THOSE THREE DIMENSIONS , AND THESE THREE DIMENSIONS BUILD PIER TO TAKE READER TO WHERE THE POET HAS REACHED.
THE LONGING READER LEARNS SLOWLY HOW TO PASS THE PIER AND THEN BECOME AN ACCUSTOMED READER.ACCUSTOMED TO BREVITY,ACCUSTOMED TO REACH BEYOND THROUGH DIMENSIONS,TO WHERE POET OF SPACE HAS REACHED.THERE THE POET HAS NO WORD TO SAY.HAS NO DESCRIPTION,AND THEN EXPRESSES SOMETHING OF MYSTERY AND ASTONISHMENT.SAME AS WHAT THE MAGICIANS,PROPHETS,VEDISTS,BRAHMANS,MESSENGERS OF BLASPHEMY OR BELIEF EXPRESSED.MEANING POETRY.POETRY ITSELF.
SPACEMENTALISM/ESPACEMENTALISME IS NOT AUTOMATISM OR VOLUNTEERISM.IT IS VOLUNTEERY RAPTURE OR RAPTURED VOLUNTEER.A RAPTURE OF BEAUTY AND ESTHETICS.ITS VOLUTEERISM IS OF PASSION AND INTELLECT.OF FORM'S EXPECTATION AND ATTACHMENT TO DESTINY OF POETRY.
IT IS NOT DESIRE OR AMUSEMENT.IT IS A RUDE AND NERVOUS PULSATION.AN AWARE PULSATION IN A HUMAN BEING,INSANE FOR POETRY, WHO ENDANGERS HIMSELF AND IS NOT FREIGHTENED BY BEING SACRIFIED.POETRY OF SPACE IS NOT POETRY OF PRETTY WORDS.IT IS POETRY OF PERFECTION.IT IS WILD IN ITS PERFECTION AND BECOMES VIOLENT IN DISCOVERY OF BEAUTY.
IT IS NOT ANTIQUE BUT RAISES OUT OF SHELL OF ANTIQUITY.IT IS NOT MOVING THE REALITY.IT IS NOT REALITY.IT DOES NOT STOP AT EVERYDAY LIFE AND ON STREET TONGUE.SPACEMENTALISM/ESPACEMENTALISME ALWAYS THRIVES TO CREATE REALITY PURER THAN DAILY AND ORDINARY REALITY.
WE DO NOT GIVE REPRESENTATION OF OBJECTS.WE MAKE AN ASPECT OF THEIR ULTIMATE CAUSE AND THOSE ELEMENTS WE BORROW.WE INSTALL THEM FARAWAY WITH DISTANCING FROM REALITY.
THE FUNCTION OF POETRY IS NOT TELLING.IT IS CREATION OF A PIECE,MEANING POETRY IS SUBJECT OF ITS OWN . ELOQUANCE AND VERBAL PREOCCUPATIONS IS NOT OUR DREAM BUT WE DO NOT FORGET THE WORDS STRANGE MAGIC.
SPACEMENTALISM/ESPACEMENTALISME AVOIDS LIES OF IDEOLOGY
AND SHOP OF ENGAGEMENT,AND IF IT IS RESPONSIBLE ,IT IS RESPOSIBLE FOR SELF AND INNER SELF:
IT IS REVOLUTIONARY AND VIGIL.AND IF TALKS ABOUT ENGAGEMENT IT IS NOT ABOUT BEING ENGAGED,BUT MAKING ENGAGED,BECAUSE SPACEMENTALISM/ESPACEMENTALISME DOES NOT FOLLOW DIRECTIONAL ENGAGEMENT.IT IS GIVING INNER PROPHECY FOR CALLING AND DIRECTING.SO THIS POETRY IS FOR ENGAGING BUT IT IS NOT ENGAGED..
SPACEMENTALISM/ESPACEMENTALISME IS THE SCHOOL OF PERSIAN OTHER POETRY,IT IS THE ATTRIBUTE OF TIME WITH A CALL FOR THE WORLD AND AS IT IS THE ATTRIBUTE OF TIME IT COVERS ART,THEATRE,CINEMA AND MUSIC.AND THIS MANIFESTO IS AN INVITATION FOR STARTING WITH ARTISTS,PLAYWRIGHTS,CINEMATOGRAPHERS AND WRITERS WHO SEE THEMSELVES AND WE SEE THEM AS WELL ON DIRECTION OF THIS CALL.
SPACEMENTALISM/ESPACEMENTALISME REGROUPS THOSE POETS WHO REACHED THEIR LEVEL OF SKILL TO THE JOY OF JUMPING THROUGH THREE DIMENSIONS SO THIS MANIFESTO IS PICKING A RIPE FRUIT .WE ARE NOT LEADERS NOR IDOLS.
WE CHALLENGE.CHALLENGE AGAINST THOSE WHO BETRAY THIS DISCOVERY,TO SATISFY THEIR OWN PERSONAL OR SOCIAL ARROGANCE.BEING IT MULLAHS,SCHOLARS OR ARTISTS.*
In this translation,spacementalism/espacementalism may be replaced by:
poetry of space or poetry of volume.also he/she are exchangeable as well.
F.S.
*
*
1.1.2.French Translation(H.Sayar)
MANIFESTE DE LA ESPACEMENTALISME
POESIE DE VOLUME
L'espacementalisme regroupe ce qui,au-dela des realitee,sont en quete des perceptions absolues,immediates et sans soulagement.La soif de cette perception a annule eneux toute autre quete.
Elle est absolue parce qu'elle emane de la eaison d;etre de la realite,ainsi que sa finalite,et lors de son apparition elle ne se confine pas avec realite-mere.immediate,parce qu'afin de retrouver cette perception,le poete saute promptment,sans laisser trace,d'un volume et no de la longueur existant entre la perception et la realite -mere.
Sans soulagement parce qu'a la recherche d'un volume a sauter,il y a toujours l'attrait d'autres volumes qui donnent encore la soif du saut et de la decouverte.
Arretons-nous sur ce point:
Il existe une distance entre le reel et l'apparence du reel,entre l' object et l'apparence de rence du reel,entre l'object et l'apparence de l'object.Distance et distances entre le naturel de la realite et son surnaturel.De mille points d'une chose,mille rayons emanent et chaque rayon touche l'un des aspects de l'au-dela de cette chose ,ainsi la realite s'unite a ces mille dimension ,de mille manieres . Le poete espacementaliste parcourt cette distance d'un bond,prompt et immediat.Ainsi il fuit la realite pour joindre son apparence.Quel que soit le choix d'apparence,il saute d'un bon par-dessus la dimension existant entre la realite et cette apparencechoisie,En sautant chaque dimension,il saute de longeur,de largeur et de la profondeur,donc il saute d'un volume,d'un espacement:
Il est espacementaliste,constamment a l'affut d'un volume a sauter.
Espacementalisme n'est pas surrealisme.La difference reside dans le fait qu'il arrive en-decapar trois dimensions.En cette traversee ils se rencontrent en un seul point: en sautant de longeur.Le bond vers l'espace mental est,en occurence,plus prompt.
L'espacementaliste,dans ce bond,ne laisse pas trace de son trajet.Derriere son image il y a trois dimensions parcourues.Et ces trois dimensions parcourues dressent un quai pour amener le lecteur de poesiede volume la ou le poete lui-meme etait parvenue.
Le lecteur enthousiasme apprehende progressivement le passage du quai et deviant lecteur"drogue",passionne de la forme concise passionne d'atteindre le surreel en passant par le volume.
Ici le poete n'a plus rien a dire et ne cherche pas a expliquer,mais,soudain,il prononce ce qui est l'etonnement,le mystere.Ce que magiciens,prophetes,chanteurs de Vrdas,messagers de l'heresie et messagers de la foi ont profere,c'est a dire poesie,poesie meme.
Espacementalisme n'est ni automatisme ni volontarisme.C'est un magnetisme volonte magnetise.son magnetisme releve du beau.De l'esthetique.Sa volonte est de nature passionnelle et intellectuelle.exigence de la forme,attachement au destin de la posie.
Ni caprice ni divertissement,l'espacementalisme est la pulsation rude et nerveuse.pulsation vectricede l'art poetique;l'homme fou de poesie ose et ne craint pas d'etre sacrifie.
Poesie de volume n'est pas poesie de belles paroles mais poesie de la perfection.Sauvage dans sa perfection,elle devient violente,en sa decouverte du beau.
Ne relevent pas de la senteur de l' archaique.
elle n'est pas de l'antique,elle s'eveille pourtant a la senteur de l'archaique.
Elle n'est pas non plus deplacement de la relite.Elle ne s'arrete pas dans le quotidien ni dans la rue;le poete espacementaliste cherche a creer une realite plus pure et plus intense que celle du quotidien.Nous ne proposons pas une representation des objects,mais un aspect de leur finalite,ainsi que les elements que nous empruntons pour cette finalite.nous les installons a une certaine distance de la realite.
Le travail poetique n'est pas "dire",c'est la creation d'un poeme.c'est la dire que la poesie doit se prendre elle-meme pour object.
L'eloquence et les precoupations verbales ne ressortissent pas a nos reves,mais dans notre travail nous ne negligeons pas pour autant l'etrange magie des mots.
Le poesie de volume fuit le mensonage de l'ideologie et et le commerce de l'engagement. Si elle s'estime responsable,il s'agit d'une responsabilite envers son travail et son propre " interieur" revolutionnaire.C'est pourquoi la poesie de volume ne s'assujettit pas aux engagements prealablement orientes.Prophete de l'interieur,elle s'oriente par ses propre appels,donc poesie plutot engageante qu'engagee.
Espacementalisme est poetique de l'"autre poesie" de l'Iran,propre a son epoque;Il lance un appel universel.Et comme il est contemporain il insere dans sa projection le theatre,le roman,le cinema,la musique.Ce manifeste est une invitation au depart,en compagnie de ceux qui adhere:
peintres,ecrivants,cineastes,dramaturges,ceux que nous sentons proches.
L'espacementalisme regroupe les poetes dont l'experience due a leurs travaux,induit le plaiair du saut vers les trois dimensions.Voici donc notre manifeste qui en est le fruit mur.Nous ne sommes ni doyens,ni idoles,mais luttons contre ceux trahissent cette decouverte pour satisfaire leur orgueil personnel ou social,de mollah,de savant ou d'artiste.
1.2.FARAMARZ SOLEIMANI'S ARTICLE ON POETRY OF VOLUME,IN: NEVESHTA INTERNATIONAL 4;94-97, SHAHRIVAR AND MEHR 1386/2007,ARCHITECT OF CRYSTALLOIDS IN MULTIFACETED SIGHT OF "ESPACEMENTALISME"
...to be cont'd
Wednesday, October 28, 2009
SUSIE'S PARIS
...AND HERE IS SUSIE'S PARIS
WITH ITS FAMOUS CHAMPS ELYSEES AND
A DIFFERENT VERSION DES INVALIDES
see also:the eye behind the lens.com
susie@theeyebehindthelens.com
WITH ITS FAMOUS CHAMPS ELYSEES AND
A DIFFERENT VERSION DES INVALIDES
see also:the eye behind the lens.com
susie@theeyebehindthelens.com
HERE IS CHANSON D' AUTOMNE
BY PAUL VERLAINE(1844-1896),
A SYMBOLIST POET OF PARIS:
LES SAGLOTS LONGS
DES VIOLONS
DE L'AUTOMNE
BLESSE MON COEUR
D'UNE LONGEUR
MONOTONE...
he goes on to say something like this:
AND I GO
WHERE THE WINDS KNOW
BROKEN AND BRIEF
GOING AND COMING
AS THE WINDS BLOW
A DEAD LEAF...
like Rimbaud ,I like Verlaine's version better,although I dared translating
it at age 12 ,in the absence of Hassan Hoarmandi,to read it for my classmates in front of our late teacher Parviz Tehrani.This was in Pahlavi High Schhool of Sari and know in Champs Elysees de Paris.I hope Verlaine forgives me.
ET JE ME VAIS
AU VENT MAUVAIS
QUI M'EMPORTES
DECA DELA
PAREIL A LA FEUILE MORTE
Monday, October 26, 2009
SUSIE'S FALL FOLIAGE
virginia arboretum
IMAGES BY:SUSIE SOLEIMANI
the eye behind the lens.com
susie@theeyebehindthelens.com
WORDS BY:FARAMARZ SOLEIMANI
GATE WAS OPEN
TO RAINBOW
WE WENT TO SEE THE ARTIST
AUTUMN WAS BUSY
ON CANVAS
VIOLAS AND PANSIES
THORNS GUARDING PEARS
IN THE GARDEN
CACTI ON THE ROCKS
THORNS GUARDING PEARS
IN THE GARDEN
CACTI ON THE ROCKS
THERE WERE IRIS
THERE WERE TULIPS
ON GALLOWS
FROM POPLAR TREE
POURING DROPS OF BLOOD
GATES WERE OPEN
AUTUMN COURTING
THE RAINBOW
paris,oct 25,2009
THERE WERE TULIPS
ON GALLOWS
FROM POPLAR TREE
POURING DROPS OF BLOOD
GATES WERE OPEN
AUTUMN COURTING
THE RAINBOW
paris,oct 25,2009
Sunday, October 25, 2009
POSTCARD FROM PARIS
10/25/2009
EVERYTIME I GO TO PARIS,I PASS BY NOTRE DAME AND THE INN,WALK IN CHAMPS ELYSEES ,BY JARDIN DES TUILERIES BETWEEN CHAMPS ELYSEES AND LOUVRE MUSEUM,AND WAVE TO PRETTY PEOPLE IN ELYSEAN FIELDS,GET TO ETOILE AND TURN BACK .THEN I SIT IN ASHBY INN CAFE PARISIAN AND HAVE FUN A LA FRENCH,OR AT LEAST LIKE CAFE PHILOSOPHERS SUCH AS JEAN PAUL SARTRE AND HIS COMPANION SIMON BEAUVOIR ,a philosopher and feminist.
ON A SUNNY SUNDAY WITH SPECTACULAR OCTOBER WEATHER,WE WENT TO SEE OUR BELOVED PARIS AND ITS FIELDS.WE COULD TOUCH THE LINES OF RAINBOW IN A CRYSTAL CLEAR FALL FOLIAGE AFTERNOON.
BEFORE WE GET TO PARIS OF VIRGINIA AND ITS POPULATION OF 51,WE STOPPED IN MIDDLEBURG,BY ROARING VIPERS ,DISGUISED IN AUTUMN COLOR,AND HAD A SHORT WALK IN The HUNT COUNTRY AND ITS FOX CAPITAL.WE VISITED RED FOX INN AND BOOK STORES, AND ESPECIALLY THE PRESTIGIOUS PERSIAN RUGS OF PARVIZ KHAN ,THEN WENT ON TOWARDS ONE OF WINEYARDS WE THOUGHT IT SHOULD BE LOCATED IN BORDEAUX OR CHAMPAGNE.THE WHITE GATE WAS CLOSED.THE NICE BUILDING WE COULD PEEK THROUGH FENCES SEEMED TO BE CLOSED AND THERE WAS NO SMOKE ,WHIRLING ON THE TOP OF ITS CHIMNEY.
WE CONTINUED ROUTE 50 AFTER MICHAEL MADE A FAST U TURN IN A NARROW GRAVEL ROAD AND SUSIE GAVE HIM A LOOK.THE DOORS OF VIRGINIA ARBORETUM WAS WIDE OPEN AND THE EVER FRIENDLY PARK RECIEVED US WITH A BIG RAINBOWY SMILE.THERE WERE FLOWERS AND TREES THERE AFTER A RATHER LENGHTY LUNCH OR IN FACT A BRUNCHINNER,AS A COLLECTION OF BREAKFAST-LUNCH-DINNER.BECAUSE Mina BROUGHT FOODS FOR FORTY AND KEPT SAYING:
I FORGOT THIS.I FORGOT THAT.
AND MONIR AS USUAL CAME WITH HER STORIES FULL OF FUN AND LAUGHTERS.
THERE WERE HERBS AND FRUITS.THERE WERE ROCKS AND CACTI PEARS. THERE WERE VAST GREEN MEADOWS and people in green and the other tones.
IN ARBORETUM,ENCIRCLED BY PARIS AND MIDDLEBURG,WARRENTON,FRONT ROYAL,WINCHESTER,BERRYVILLE AND LEESBURG ,WE WALKED WITH NATURE WHO WARMLY INTRODUCED US TO EVERY LIVING BODIES IN ARBORETUM ,HERB GARDEN AND THE TULEYRIES. HERE I AM GOING TO SHARE THIS INTRODUCTION WITH YOU AS A SOUVENIR OF OUR VISIT IN A FALL CRISPY CRUNCHY DAY.
On our way back Rumi read one of your favorites:
Come over to blossom
Come over to see the lover and the world
Give away to the sun growing
Laugh at that ugly who is mincing
Sob for that cover who broke with lover
The whole town came to revolt
When the news ran around
That the insane broke the chain again
What a day,this day of resurrection
It seems that our resume is all gone to horizon
Beat the drums and stay silent
What a room without the heart and sanity
When the soul is all gone
Tr;F.SOLEIMANI
MODIFIED 22 JUN 11
APRES SKI
faramarzsoleimani.com
I
I
*APRES SKI
AT THE GATE NO.70
PRIOR TO STARTING IT LONELY
[BY THE SEA AND THE MOUNTAIN
REMEMBER WE CRUISED DOWN
ETERNALLY
STARING UPHILL TO THE PEAK OF THE WORLD
KIND OF SLIDING
[TO HIT THE TREES IN A BOWL OR
YEP ,NOW ON TOP OF THE ROCKS
EVERYTIME THE DOOR OPENED
IT WAS A HALO OF DANCING DEVIL
OR A SHADOW
FALLING HARD ON THE FLOOR
I TOLD YOU TO STAY IN CABIN
BY FRIENDS AND FIRE
SO I CAN GO SALVAGE MORE SOULS
WE VANISHED IN SNOW
WE DIGGED IN ICE AND STORM
COLD BODIES WERE DEFECATING
IN THEIR PANTS
ON CHAIRLIFTS
THEY WERE URINATING ON US
AND THE SKY WAS A BIG SLUICE
THEN YOU AND I SCHUSSED
ON THE RUNNING TRUCK
OF A WILD PIST
TO RUSH TO THE GATE.
IT IS THE GATE NO.70 NOW
WHERE I AM STANDING
WITH NO LIFTS OR TRUCKS
BUT A TRAIL TO SLIDE FURTHER.
I JUST WANT TO SMELL
SOME MORE SUNSETS
APRES SKI
AT THE GATE NO.70
PRIOR TO STARTING IT LONELY
[BY THE SEA AND THE MOUNTAIN
REMEMBER WE CRUISED DOWN
ETERNALLY
STARING UPHILL TO THE PEAK OF THE WORLD
KIND OF SLIDING
[TO HIT THE TREES IN A BOWL OR
YEP ,NOW ON TOP OF THE ROCKS
EVERYTIME THE DOOR OPENED
IT WAS A HALO OF DANCING DEVIL
OR A SHADOW
FALLING HARD ON THE FLOOR
I TOLD YOU TO STAY IN CABIN
BY FRIENDS AND FIRE
SO I CAN GO SALVAGE MORE SOULS
WE VANISHED IN SNOW
WE DIGGED IN ICE AND STORM
COLD BODIES WERE DEFECATING
IN THEIR PANTS
ON CHAIRLIFTS
THEY WERE URINATING ON US
AND THE SKY WAS A BIG SLUICE
THEN YOU AND I SCHUSSED
ON THE RUNNING TRUCK
OF A WILD PIST
TO RUSH TO THE GATE.
IT IS THE GATE NO.70 NOW
WHERE I AM STANDING
WITH NO LIFTS OR TRUCKS
BUT A TRAIL TO SLIDE FURTHER.
I JUST WANT TO SMELL
SOME MORE SUNSETS
APRES SKI
II
HUNTER HOURS
AT THE GATE NO.70
I RECALL GOING OUT
WITH HUNTERS
THEY LEFT ME WITH CLOUDS
AND CAMPFIRE
THEN RUSHED TOWARDS BLOOD
I WAS READING MY LINES AND POINTS
FOR THE VALLEY OF FOG
WHEN I SMELLED DANCING SHADOWS.
WHERE THEY RUNNING AWAY
OR COMING FORTH
FOR FIRE?
I SAID:
"WHEN MARLON GAVE AWAY
ONE OF HIS HILLS
TO INDIANS
APOLOGETICALLY SAID
FORGIVE ME,IT IS A LITTLE LATE
ONLY TWO HUNDRED YEARS."
IT WAS A LONG DAY
THERE WERE NO SMELL OF GUN POWDER
THERE WERE NOT NEWS
OF HUNTERS RETURNING.
WHEN NIGHT FELL
ON VALLEY
SHADOWS WERE GONE
AND I HEARD
HUNTERS COMING BACK
TO DARKNESS
WE TOOK THE NIGHT WITH US
TO A FOREST CABIN
AND SHARED IT WITH THE CHARCOAL BOY
SITTING THERE
LONELY
III
ALL LIGHT IN RIVER AND ROCKS
LIGHT IS EVERYTHING
THAT BRINGS EVERYTHING
TO LIFE.
I WAS GOING WITH LIGHT
IN THE RIVER ROCKS
AND THE RIVER
AND THE ROCKS
WERE TAKING ME
THEN AN ARM ARRIVED
TO PULL ME OUT OF WATER
TO GIVE BACK
LIGHT TO LIFE.
NOW DANCE WITH ME
AT THE GATE NO.70
WHEN THE KING
TALKS JUNGLE TONGUE:
AQUA BATATA
AQUA BATATA .
OCTOBER 25,2009
OCTOBER 25,2009
Saturday, October 24, 2009
H1N1 FLU,A NATIONAL EMERGENCY
PRESIDENT OBAMA DECLARED H1 N1 INFLUENZA,A NATIONAL EMERGENCY...
see also:mediran.com/newsletter/H1N1 Flu
see also:mediran.com/newsletter/H1N1 Flu
Thursday, October 22, 2009
WORLD WEATHER FORECAST
THERE IS A SEVERE TSUNAMI
ALL OVER ASIA
AND SUBURB
I MEAN THE REAL ASIA,
THE WHOLE CONTINENT
ON THE MAP
NOT A MISNOMER
BY MEDIA
OR CONFUSED AUTHORS.
THEN A WAVEVIEW
WILL RELIEVE
ALL THE PAINS,
AND THE CALM SEA
IS BLUE.
HAVE A NICE EARTHLY PEACE!
OCT 2009
ALL OVER ASIA
AND SUBURB
I MEAN THE REAL ASIA,
THE WHOLE CONTINENT
ON THE MAP
NOT A MISNOMER
BY MEDIA
OR CONFUSED AUTHORS.
THEN A WAVEVIEW
WILL RELIEVE
ALL THE PAINS,
AND THE CALM SEA
IS BLUE.
HAVE A NICE EARTHLY PEACE!
OCT 2009
FROM RED THROAT OF SOHRAB
faramarzsoleimani.com
*FROM RED THROAT OF SOHRAB
TO A MIRAGE BEYOND BORDERS
I AM THE FLAG OF WORDS OF DREAMS.
*DE LA GORGE ROUGE DE SOHRAB
AU MIRAGE AUDELA FRONTIERE
JE SUIS LE DRAPEAU DES MOTS DE REVERIE.
*DE GORGANTO ROJA DE SOHRAB
A DES PEJISMO DESPUES FRONTERA
YO SOY LA BANDERA DE PALABRAS DE SUENO
in English/French/Spanish/Farsi
by:FARAMARZ SOLEIMANI
M*U*L*T*I*L*I*N*G*U*A*L
*FROM RED THROAT OF SOHRAB
TO A MIRAGE BEYOND BORDERS
I AM THE FLAG OF WORDS OF DREAMS.
*DE LA GORGE ROUGE DE SOHRAB
AU MIRAGE AUDELA FRONTIERE
JE SUIS LE DRAPEAU DES MOTS DE REVERIE.
*DE GORGANTO ROJA DE SOHRAB
A DES PEJISMO DESPUES FRONTERA
YO SOY LA BANDERA DE PALABRAS DE SUENO
in English/French/Spanish/Farsi
by:FARAMARZ SOLEIMANI
NOCTURN OF ROSES AND NIGHTINGALES
faramarzsoleimani.com
M*U*L*T*I*L*I*N*G*U*A*L
NIGHTLY THE POET NIGHTINGALES ARE BEHEADED
NIGHTLY THE LOVER ROSES ARE BURNED
NOW EVERGREEN AND CAVALIER
SUIT IN CLOACK OF SORROWS
*
*
CANCION DE LA NOCHE DE ROSAS Y RUISENORES:
NOCTURNO LOS RUISENORES POETAS ESTAN DECAPITADOS
NOCTURNO LAS AMANTES ROSAS ESTAN INCENDIENDOS
AHORA SIEMPRE VERDE Y CABALLERO
ESTAN LLEVANDO EL CAPA DE DOLORES.
by: FARAMARZ SOLEIMANI,
IN ENGLISH/PERSIAN/SPANISH
DEC 10,1999
M*U*L*T*I*L*I*N*G*U*A*L
NIGHTLY THE POET NIGHTINGALES ARE BEHEADED
NIGHTLY THE LOVER ROSES ARE BURNED
NOW EVERGREEN AND CAVALIER
SUIT IN CLOACK OF SORROWS
*
*
CANCION DE LA NOCHE DE ROSAS Y RUISENORES:
NOCTURNO LOS RUISENORES POETAS ESTAN DECAPITADOS
NOCTURNO LAS AMANTES ROSAS ESTAN INCENDIENDOS
AHORA SIEMPRE VERDE Y CABALLERO
ESTAN LLEVANDO EL CAPA DE DOLORES.
by: FARAMARZ SOLEIMANI,
IN ENGLISH/PERSIAN/SPANISH
DEC 10,1999
Wednesday, October 21, 2009
BREAST CANCER AWARENESS IN OCTOBER امید,عشق و شجاعت
زندگی امید است
امید یک منطقه است
تو پرواز می کنی
با شجاعت
پرواز زندگی است
زندگی امید است
نوشته بر دیوار امید,عشق و شجاعت ,سازمان صلیب سرخ آمریکا
LIFE IS HOPE
HOPE IS A ZONE
YOU'RE FLYING
WITH COURAGE
FLYING IS LIFE
LIFE IS HOPE.
-ZK
OCTOBER IS THE NATIONAL MONTH OF
BREAST CANCER AWARENESS
WITH HOPE
AND PINK RIBBON.
you may check any health or medical information site
for more information on
breast cancer
including:
mediran.com
YOU MAY ALSO:
GIVE HOPE
GIVE BLOOD
AT AMERICAN RED CROSS DONOR CENTERS OR MOBILES
AND LEAVE A MESSAGE TO A LOCAL PATIENT
NAME OF SOMONE YOU DONATED IN HONOR OF
OR YOUR NAME
AND POST IT ON
THE WALL OF HOPE
THE NEED IS CONSTANT
THE GRATIFICATION IS INSTANT
GIVE BLOOD
1-800-GIVE BLOOD
"WE BELIEVE HEALTH AND MEDICAL INFO IS FREE FOR ALL.
PLEASE SUPPORT.
Updted for e-edition
JACK ON THE ROAD
faramarzsoleimani.com
.....
"I LIKE TOO MANY THINGS AND GOT ALL CONFUSED AND HUNG-UP RUNNING FROM ONE FALLING STAR TO ANOTHER TILL I DROP."
JACK KEROUAC,JEAN LOUIS KEROUAK
b.MARCH 12,1922,LOWELL,MASSACHUSSETTS.
d.OCTOBER 21,1969,ST.PETERSBURG,FLORIDA.
JACK KEROUAC,AS A NOVELIST IS WHAT ALLEN GINSBURG,AS A POET IS TO BEAT MOVEMENT.THEY BOTH WERE LEADERS AND SPOKESMEN OF A GENERATION FOR SOCIAL CAUSES ,FREE SPEECH AND FREEDOM IN ARTS AND LITERATURE.
JACK WAS NEVER IN THE BOX
JACK WAS ALWAYS ON THE ROAD
THE ROAD OF THE WORLD
WERE FULL OF JACK
HANGING OUT FREE.
FROM JACK KEROUAC , THESE STORY BOOKS WERE PUBLISHED:
THE TOWN AND THE CITY,1950
ON THE ROAD,1957
DHARMA BURNS
SUBTERRANEANS
DOCTOR SAX
MAGGIE CASSIDY
VISION OF GERARD
DESOLATION ANGELS
LONESOME TRAVELLERS...
+IN POETRY,BY JACK KEROUAC:
MEXICO CITY BLUES
BOOK OF HAIKUS
SCATTERED POEMS
SAN FRANCISCO BLUES
POEMS ALL SIZES...
HE EXPERIMENTED HAIKU,A FORM ALSO USED BY OTHER AMERICAN POETS LIKE:
EZRA POND,WILLIAM CARLOS WILLIAMS,AMY LOWELL,WALLACE STEVENS LANGSTON HUGHES,AMONG OTHERS.
IN ONE OF HIS COLORFUL POSTMODERN HAIKU,JACK KEROUAC ONCE SAID:
GHENGIS KHAN LOOKS FIERCELY
EAST WITH RED EYES
HUNGERING FOR AUTUMN VENGENCE.
also: viking portable jack kerouac.
JACK KEROUAC ,BETWEEN PROFESSIONAL FOOTBALL AND LITERATURE,CHOSE THE LATTER AND WENT ALL-THE-WAY TO THE END ZONE OF EXPERIMENTING LOVE AND LIFE.
WE ALWAYS ARE WITH HIM ON THE ROAD.
F.S.
see also:artliteratour.com/ferlinghetti's citylight bookstore
see also:artliteratour.com/ferlinghetti's citylight bookstore
Tuesday, October 20, 2009
I WANNA TAKE YOU TO MUSEUM IN 2040
faramarzsoleimani.com
I WANNA TAKE YOU TO MUSEUM
IN 2040
TO SHOW YOU A FULL PLATE
OF FOOD
ON A FULL FLEDGED
PURE CRYSTAL TRAY
SITTING WITH AMBER
AND JADE.
I WANNA PRESENT TO YOU
A PLATE
I WANNA PRESENT TO YOU
A PLATE
AT HAND TO BE SEEN
IN A CIRCLE
UNDER HEAVY SECURITY
AND LIGHTS.
AND LIGHTS.
I WANNA SHOW YOU
HOW 9 BILLION PEOPLE OF PLANET
FARE WELL WITH
FOOD FAIRY FABLES.
I WANNA REMIND YOU
NOT TO WEAR SHORT AND T SHIRT
DON'T KEEP YOUR NECK NAKED
DON'T DINGLE YOUR HANDS
OUT OF WINDOW.
DON'T EVEN SMILE
WITH YOUR PRETTY PEARLY TEETH
JUST CAME OUT OF A
COSMETIC DENTISTRY OFFICE.
THERE ARE PLENTY OF MOUTHS
MOUTHS OPEN WIDE
LIKE EYES OPEN WIDE
MOUTH UNABLE
TO FULLY OPEN
AND RUNNING FEET
AND RUNNING FEET
AND BEGGING HANDS
STARVING TO DEATH
AND HANGING AROUND.
THEY LIKE FAIR SKIN
AND FAIR FOODS.
THEY LIKE THEIR FAIR SHARE
AND CAN'T WAIT
ANY FURTHER.
THEY WANT TO MAKE HELL
LIKE JEAN NICHOLS ARTHUR RIMBAUD
WHO WENT STRAIGHT TO HELL IN
UNE SAISON EN ENFER:
"GAGNES LA MORT AVEC TOUS TES APPETITS,
ET TON EGOISME
ET TOUS LES PECHES CAPITEAUX."*
I WANNA TAKE YOU
TO MUSEUM
OF DRAUGHT AND STARVATION
WAR AND DEVASTATION.
GET SET BABY!
2040 IS COMING SOON
WE WANT TO CELEBRATE
IN A HOMONGOUS PARTY
WITH FIREWORKS
AND BIG BOILING WATER POTS.
WE WANT TO JUBILATE
JUBILO DE VIVIR
IN OUR CENTENNIAL
OF HUNGER.
HEY,LET'S GET GOING GUYS!
-----
*"...take death with all your appetites,your egoism and all capital sins"
-from rimbaud's: a season in hell.
*
*
-from rimbaud's: a season in hell.
*
*
for Rahim on his birthday,and all our friends to:
click to feed free the hungry kids ,on:
thehungersite.com
b.oct 20,1854
Saturday, October 17, 2009
BIRTH OF A SALESMAN
faramarzsoleimani.com
b.Oct 17,1915,Harlem,NYC
d.Feb 10,2005,Roxbury,Ct.
ARTHUR MILLER,PRESIDENT OF PEN INTERNATIONAL ,ALWAYS FOUGHT FOR FREEDOM OF SPEECH IN HIS LIFE.
THAT DOESN'T MEAN HE ALWAYS SUCCEDED,BUT HE TRIED .
MY LATEST ESSAY ON ARTHUR MILLER APPEARED IN 2 ISSUES OF
SIMORGH MAGAZINE,
ON THE EVE OF ANNOUNCEMENT FOR NOBEL PRIZE WINNERS OF 2004
IN LITERATURE.
THE GREAT PLAYWRIGHT OF DEATH OF A SALESMAN AND CRUCIBLE ,LEFT THIS BIG STAGE IN 2005,EMPTY HANDED.
I'LL TRY TO BRING IN HERE SOME OF MY WRITINGS ON ARTHUR MILLER.
ARTHUR MILLER,PRESIDENT OF PEN INTERNATIONAL ,ALWAYS FOUGHT FOR FREEDOM OF SPEECH IN HIS LIFE.
THAT DOESN'T MEAN HE ALWAYS SUCCEDED,BUT HE TRIED .
MY LATEST ESSAY ON ARTHUR MILLER APPEARED IN 2 ISSUES OF
SIMORGH MAGAZINE,
ON THE EVE OF ANNOUNCEMENT FOR NOBEL PRIZE WINNERS OF 2004
IN LITERATURE.
THE GREAT PLAYWRIGHT OF DEATH OF A SALESMAN AND CRUCIBLE ,LEFT THIS BIG STAGE IN 2005,EMPTY HANDED.
I'LL TRY TO BRING IN HERE SOME OF MY WRITINGS ON ARTHUR MILLER.
...
Friday, October 16, 2009
A*SH*N*A:FAROKHI YAZDI IS KILLEDفرخی یزدی
farokhi yazdi,worker and revolutionary journalist and poet
faramarzsoleimani.com
هرگز دلـم برای کـم وبیش غـم نداشـت
آری نداشت غم که غم بیش و کم نداشت
در دفـتر زمـانه فـتـد نامـش از قـلـم
هر ملتی که مردم صاحب قلم نداشت
در پیشگاه اهل خرد نیست محترم
هر کس که فکر جامعه را محترم نداشت
با آنکه جیب و جام من از مال و می تهی ست
ما را فراغتی ست که جمشید جم نداشت
انصاف و عدل داشت موافق بسی ولی
چون فرخی موافق ثابت قدم نداشت
MOHAMAD FAROKHI YAZDI,
also:MIRZA MOHAMAD SEMSARZADEH YAZDI,FAROKHI YAZDI
b.1266,YAZD
KILLED DURING REZA SHAH,24 MEHR 1318/OCT 16,1939
FAROKHI IS KNOWN FOR BEING ARRESTED BY SOMEBODY AS GOVERNOR OF YAZD,AND HIS LIPS BEING SEWN IN PRISON FOR A POEM HE WROTE AGINST ESTABLISHMENT.
Farokhi yazdi ,as a journalist published TUFAN in 1300/1921 in Tehran,but its publication was stopped 15 times in 7 years.He published Mirror of Thoughts afterward and was exiled to Kerman.
ON HIS RETURN,FAROKHI WROTE AGAINST REZA SHAH AND THEN ATTENDED CELEBRATION FOR OCTOBER REVOLUTION IN USSR.
IN 1307/1928 FAROKHI YAZDI WAS ELECTED FOR CONGRESS,HE WAS BEATEN THERE FOR EXPRESSING HIS IDAS AND THOUGHTS AGAINST EVER PRESENT CONSERVATIVES AND ESCAPED TO MOSCOW IN 1309/1930.BUT POOR POET HAD NO PLACE IN THERE EITHER ,BECAUSE HE WAS CRITICIZING
"THE NEW ORDER "AS WELL.AND THERE IS NO POWER IN HISTORY WHO COULD TOLERATE THIS KIND OF BEHAVIOR,ESPECIALLY FROM A POET IN EXILE.AND THIS IS A GOOD POINT FOR COMPARISON BETWEEN FAROKHI AND LAHUTI,who was collaborative and cooperative in USSR,AS WELL AS THE OTHER POETS OF THE WORLD WHO WERE PARTYING WITH THE NEW PARTY!
FAROKHI WAS KICKED OUT WHILE KICKING IRON CURTAIN.
FAROKHI WAS OUT OF IRAN
FAROKHI WAS OUT OF USSR
FAROKHI WENT TO GERMANY AND PUBLISHED HIS NEW PAPER: FIRE.
THEN HE WAS INVITED BY GOVERNMENT OF IRAN TO RETURN HOME.
YOU KNOW HOW FOOL THE POETS ARE.
HE ACCEPTED THE INVITATION OF THE GREAT POET HOME.BECAUSE HE WAS
A GREAT POET HIMSELF.
ON HIS ARRIVAL TO IRAN IN 1312/1933 HE WAS ARRESTED AGAIN.
AGAIN HE WAS ARRESTED IN 1316/1937 FOR INSULTING DA KING AND WAS KILLED BY A QUAKER OF REZA SHAH,NAMED AHMADI,THROUGH INJECTION OF AIR IN HIS BLOOD VESSELS.AND THIS WAS HIS PRIZE FOR PATRIOTISM AND RESISTANCE,AS AN INTELLECTUAL OF THE TIME,GIVEN TO HIM IN 24 MEHR 1318/OCTOBER 16,1939.
I DO NOT FEEL WELL WHEN I AM WRITING THESE LINES IN ENGLISH ABOUT FAROKHI ,BUT KILLING OF POETS AND INTELLECTUALS IN MY COUNTRY,IS NO SECRET TO FEEL BAD ABOUT WRITING IT.
AND FAROKHI WAS ANOTHER ONE OF THESE VICTIMS IN OUR HISTORY.
The poet's tomb whereabout is unknown
THERE IS NO WAY FOR BREATHS OF A SOUL
IT IS THE CITY OF HOLLERS AND GROANS
ALAS CRIES , BUT THERE IS NO ONE COMING TO RESCUE.
FAROKHI YAZDI(18887-1939)
see also:moj major persian poets/farokhi yazdi
Thursday, October 15, 2009
ON THE ROAD
faramarz soleimani
collage by: moj
*ON THE ROAD
ON THE PATH TO STAR
BEYOND BORDERS
AND THE FOG...
WOVEN WITH WAVE
BY THE COLD SONG
OF SEAGULLS.
*
*
I AM BORN TOMORROW
WHO IS BORN OF ME
TOMORROW.
*
*
I GO ON THE ROAD
TO SEE MY IMAGE
ON THE MIRROR
OF THE ROAD
SOMEONE
HEARS ME
TALKING ON THE ROAD
CALLING IT POETRY.
SO THE ROAD GOES ON
IN MY POETRY
AND
BECOMES POETRY
WHEN I GO
ON THE ROAD.
and you see the image of my image on the road.
SILAS BURKE FOR SALE
Tuesday, October 13, 2009
MOJ BOOK REVIEW-8
*moj book and faramarz soleimani's new publications
**rendaan.com
***persian heritage foundation/mirass iran,
mirass iran quarterly magazine and mirass iran monthly newspaper
**RENDAAN.COM/NOVEMBER 2009
EDITOR:YASHAR AHAD SARAMI
**rendaan.com
***persian heritage foundation/mirass iran,
mirass iran quarterly magazine and mirass iran monthly newspaper
*IN PRAISE OF A LONELY GLASS OF ORANGE JUICE
*royaiha
*shab royaiha
*sabz o sepid o sorkh
*shabaneh ye bagh sangi
*Pablo Neruda's:
2000,book of love and other poems
MOJ BOOK
330 JULIA ST.
SUITE # 305
NEW ORLEANS, LA 7013
SUITE # 305
NEW ORLEANS, LA 7013
U.S.A.
mojbook.com
mojbooks@aol.com
mojbooks@aol.com
**RENDAAN.COM/NOVEMBER 2009
EDITOR:YASHAR AHAD SARAMI
simorgh and seven elephants of persian mythology
faramarzsoleimani.com
RENDAAN.COM/NOVEMBER2009
IS E- JOURNAL OF CONTEMPORARY POETRY OF IRAN
(AND THE WORLD)
WITH WORKS BY:
YASHAR AHAD SARAMI,ROBAB MOHEB,FIRUZEH MIZANI,
FARAMARZ SOLEIMANI,FARIBA SADIGHIM,ABBAS SAFFARI,
AZAR KIANI,NOSRATOLAH MASUDI,MINU NOSRAT,
MAJID NAFICI,MASUMEH ZIAI,MANSUR KHAKSAR,
PARTOW NOORIALA,AZADEH DAVACHI,
SAHLA BAHARDUST,FERESHTEH PANAHI,
GHOBAD JALIZADEH,BABAK SAHRANAVARD,
ROSE AUSLANDER,TARIK GUNERSEL,PEDRO SALINAS ACUSO,...
*
*
***MIRASS IRAN
PERSIAN HERITAGE
VOL4,NO.42,SHAHRIVAR 1388/SEPTEMBER 2009
THE NEW ISSUE OF BILINGUAL MIRASS IRAN MONTHLY NEWSPAPER
IS PUBLISHED.
MANAGING AND CHIEF EDITOR:DR.SHAHROKH AHKAMI
EDITORS:CYRUS ASSADI,MAHSHID ARFANIA,DAVID YAZDAN
REHEARSAL BETWEEN DYING HAIR AND GETTING FULL BODY MASSAGE
faramarz soleimani
image by:susie
*REHEARSAL BETWEEN DYING HAIR AND GETTING FULL BODY MASSAGE:
I LIKE TO WRITE ON
MYSTERY OF MIST
'CAUSE SHE LIKES ME
TO WRITE
ON MYSTERY OF
MIST.
AND WHEN I START
PUTTING PEN ON PAPER
IN MIST
SHE DISSAPPEARS.
SO WHAT'S
THE POINT
TO WRITE ON
MYSTERY OF
MIST
IN MIST?
WHEN YOU DISSAPPEARED
I INVENTED YOU
IN THE MYSTERY OF
MIST.
myrtle beach,s.c.
oct2009
EBRAHIM GOLESTAN.ابراهیم گلستان
در کتاب گفته ها که نیز ناگفته های اوست,گلستان ضرورت معنی و ضرورت بیان را پیش می کشد و جست و جوی زبان را در حد گوهر محاوره و تبت مکالمه و حرف زدن .همان که نیما با اشاره به آن ,شعر و ادب امروز را بنا نهاد .به اضافه ی معاصر بودن را ...می گوید : کسی فقط به دم سنت می چسبد که از بی چیزی و ناتوانی زمانه خودش را نمی فهمد و نمی شناسد , صفحه ٢٤٠
چرا می نویسید؟
میگوید:...علاقه من به نویسندگی هم برای اینست که دلم می خواهد خودم را بیان کنم .حس ساختن حس بودن است . مقداری خودم را بوسیله از کوه بالا رفتن بیان می کنم .مقداری خودم را فرض کنید بوسیله عکس گرفتن یا با کسی حرفی زدن .غرضم بودن است .بودن و حس بودن ,و شناختن. و شناختن خودم برای این که بهتر باشم و بهتر بشوم تا بودنم ,و بودن , بهتر بشود
ابراهیم گلستان متولد ٢٢ مهر ١٣٠١ شیراز است .از سال ١٣٢٠ در دانشگاه تهران حقوق خوانده ,در آبادان و مازندران و تهران کار کرده و از نوشتن عکاسی تا فیلم سازی مستند و داستانی سیر افاق و انفس کرده ,دنیا را تجربه و تماشا کرده , "تلخ و ملامتگر شده " در شیراز با دانشجویان درگیری پیدا کرده و همه جا و هرجا جماعت روشنفکر بر او شوریده ,از خودی و بیگانه و وطنی و جهان وطنی ,و هرگز تسلیم هوبازی و آن نشریه های پرت نشده ,فاسد نبوده و فرصت اندیشه و خیال را از خود و خواننده اش دریغ نداشته است این ها و خیلی چیزهای دیگر را می توان در کتاب ناگفته ها پی گرفت,
نشر روزن ١٣٧٧,نوجرزی آمریکا و لندن انگلیس
-CONTE URBINO
*EBRAHIM GOLESTANابراهیم گلستان
b.SHIRAZ,22 MEHR 1301/OCTOBER 14,1922
WRITER,FILM MAKER,PHOTGRAPHER AND JOURNALIST
see also:iranianwriter.com/moj major persian writers/ebrahim golestan
آثار
آذر ماه آخر پاییز
شکر سایه
جوی و دیوار و تشنه
مدومه
خشت و آینه
اسرار گنج دره جنی
خروس
ارنست همینگوی : زندگی خوش کوتاه فرانسیس مکومبر کشتی شکسته ها ,ترجمه
مارک توان:هاکلبری فن
برنارد شا:دون ژوان در جهنم
چاپ نشده :مکبث + چند ترجمه و چند قصه
گفته ها
...
آثار
آذر ماه آخر پاییز
شکر سایه
جوی و دیوار و تشنه
مدومه
خشت و آینه
اسرار گنج دره جنی
خروس
ارنست همینگوی : زندگی خوش کوتاه فرانسیس مکومبر کشتی شکسته ها ,ترجمه
مارک توان:هاکلبری فن
برنارد شا:دون ژوان در جهنم
چاپ نشده :مکبث + چند ترجمه و چند قصه
گفته ها
...
I know he dislikes it
BUT LET'S WAIT FOR ANOTHER DECADE OR TWO.When we are about 100 years old.
THE DAY MAY COME,MY FRIENDS.
If we are there or we will be not!
Happy Birthday great Iranian story writer and filmmaker:EBRAHIM GOLESTAN!
See More: my translation of an article on khesht va ayeneh and other works of him
in neveshta international
ESSERE HUMANO
ESSERE HUMANO
NATIVE AMERICAN DAY
faramarzsoleimani.com
THESE DAYS OF OCTOBER 11,12,13
ARE OBSERVED AS NATIVE AMERICAN DAY
AMERICAN INDIAN DAY OR
INDIGENOUS PEOPLE DAY
IT IS ACTUALLY CONCURRENT WITH COLUMBUS DAY IN U.S.
AND THANKSGIVING DAY IN CANADA.
NATIVE AMERICAN DAY IS ALSO CELEBRATED IN
SEPTEMBER 25TH
OR THE INAUGURATION DAY OF
NATIVE AMERICAN MUSEUM,WASHINGTON,D.C.
OR THE FOURTH FRIDAY OF SEPTEMBER.
...AND THE EARTH WAS AN INDIGENOUS WHO CAME TO BECOME CONGENIAL WITH AN INDIGENOUS AND SING A SONG TO THE OTHER SIDE OF THE EARTH.
BUT SOMEDAY THEY FOUND HIM ON THE WAY,WHERE HIS PACE WAS BURNT,AND A GRAND RIVER WAS RUNING OF HIS BLOOD,AND UP THERE AN EAGLE WAS IN CIRCLES,WHILE CRYING.
from:
faramarz soleimani's pueblo poetry
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