Showing posts with label MOJ LITERATEQUE. Show all posts
Showing posts with label MOJ LITERATEQUE. Show all posts

Thursday, December 29, 2011

SHER-NAMEH HAYE M.A.SHAKIBAEI-7شعرنامههای محمدعلی شکیبایی

۷
پایانی
کشف شاعر کشف کلمه هاست برای کشف عشق . و عشق اگر نبود همه چیز گم شده است .رفتار کلمه ها گم شده است و کلمه ها در رفتارشان گم .پس عشق بهانه است. برای کشف،که شاعر  هنوز بدان نرسیده است.یا در فاصله یی ایستاده تا برسد و نوشتن را ادامه دهد ، یا که نوشتن ادامه یابد.رام کردن مرگ هم چنین مظهری است تا در فاصله بماند و نوشتن را مانایی دهد.شاید پس به ناخودآگاه ساز دهنی اش را نیاورده است تا عاشقی را دوام دهد ،در سکوت و فاصله،و آن آخرین یاد آوری از مسافرانی که می چمند و به مقصد می رسند تا در کشفی مدام به سر برند و قصد باز گشت نکنند.
شکیبایی قصد باز گشت ندارد .او در فاصله می ماند  یا مقصد و مسیرش را بی باز گشت ادامه می دهد تا تنها به قصد کشف سر خوش باشد.
دسامبر 2011

SHER-NAMEH HAYE M.A.SHAKIBAEI-6

۶
پس از شعر-نامه ی ۲۰ ،در شعر نامه ی ۲۷،صفحه ۵۰،عشق فاصله ها را می انباند ،و شعر نامه ۳۰ در صفحه ۵۶ هم. حالا از تکرار این ها می پرهیزم و شاعر را می گذارم که با جزیره و باد و آفتاب انباز می شود .همه چیز در فاصله ی ذهن و واقعیت اتفاق می افتد  تا چیزی گم شده و نا مکشوف کشف شود.نوشتن و نوشتا هم در پی کشف می آید ام دوام رویا خبر از کشف های نا شده می دهد و شعر به جست و جوی مکرر شاعر ادامه می یابد  و کشف هنوز اتفاق نیفتاده است-حتا طبیعت هم باآ ن همه مظاهری که دارد نا مکشوف تعریف می شود -در شعر ۵۵،و تنها کلمه ها باید جا داشته باشند برای کشف شدن،مثل صفحه ۱۰۴
که می گوید وقتی کلمه ها کشف شدند آن وقت نامه زیبا می شود .عشق گل می دهد در آن . چراغ و گل آینه را تعریف می کنند .

SHER-NAMEH HAYE M.A.SHAKIBAEI-5

۵.
 ی گوید مثل ا ینه که نقطه ی آغاز را کشف کرده ام و خودم هم نمی دانم .این را در  شعر ۴۵ می گوید که از آغاز در حدود ۸۰ صفحه فاصله دارد ،و فاصله شاعر را می سازد و به شعر می رساند .
کشف-شعر ۱۰ ،و رویا- شعر ۱۱ برای نوشتن است و نوشتن شاعر برای زیبا شدن است.رویا کشف هایش را می گوید تا زیبا شود .اتفاق تازه در شعر ۱۳ و اتفاق ساده در شعر ۱۵ ،ساده گی  و روشنی شعر-نامه ها را می نمایاند ."ان همه سوال برای پیدا کردن و کشف کردن است در دنیای غریب و راه های گم و گم شدن ،و گم شده یی که می پرسد  اما می پرسد و هم راه گمی می رود تا چیزی در کشف کم نیاورد -در شعر ۱۸. یا نوشتن را بهانه ی کشف می کند .در شعر ۱۹-حوا-شاعر کشف است و یادها هم از قطاری که دوست را می برد و گل ها و بهار و باغچه را...و سبز و اطلسی و شکفتن و عشق...یا پنجره و رف ،و حتا تابستان که بوی موهایم را کشف می کند -در شعر ۳۶.و من دارم بیشتر از کلیدواژه های پیش می گویم که با بسامدی  هجوم دارد.

SHER-NAMEH HAYE M.A.SHAKIBAEI-3

i ۳.کفش هارادرشعر شاعر،کشف می خوانم.می گوید حالاکفش هایم خسته هستندو نشانی از کفش های چوبی دارد کشف هایش هم چوبی هستندومی خواهد ان ها را گوشه یی تنهااوا رهد.به موسیقی ی خامی پناه می برد.امااین فلامینکوکیست که همیشه همراه می اید؟.به خوانش شاعردرشعرتامه ی۶ وپس ازان ادامه می دهیم...شایدیکی ازما ان دیگری راکشف کند.

SHER-NAMEH HAYE M.A.SHAKIBAEI -2

کارگردان دراین رهگذر کمک شایاومانایی برای ماهمه بوده و خواهد بود .مرسی زهره خالقی.مرسی محمد علی شکیبایی،شاپورجانآ


SHER-NAMEH HAYE M.H.SHAKIBAEI-1

Faramarz Soleimani در به دریا دست نمی زنم تاتو بیایی،محمد علی شکبایی به کشف خویشتن امده است .نامه هازترفندی سنتی برای ر وایت واشاراتند،نیمادرنامه هایش به همسرش عالیه خانم یادوستان اشناوناشناس بیشتر به نظرات شعری وادبی نظر دارد یا ان را محملی برای بیان حسهایش می کند ،محمد عاصمی در نامه هایش خطاب به سیماجان(ایرن)راه ورسم ساده گی را بالحن ولهجه یی اجتماعی درمی امیزد،شکیبایی اما به این سنت ها قبای مدرن میپوشاند،با استعاره وتصویر که گاه وازجمله درهمین نامهی ۱۰ تامرزاسطوره پیش می رود و-هم ازاین  روست که واژه ی کشف را کلیدی می نماید.من هنوزهم برانخ که شاعرعاشق نامه نگار باززنامه هایی درصندوق ذهن وناخوداگاهش دارد اما به هین میزان هم ما می توانیم مدعی کشف شعر باشیم بوژه ان ه نقاشی،تصویر وموسیقی زهر خالقی به عنوان هیه کنندهو

Thursday, August 26, 2010

FICCIONES DE BORGES,Spanish/English/Farsi

"El universo que otros llaman biblioteca,se compone de un numero indefinito,y tal vez infinito,de galerias hexagonales,con ventilacion en el medio."
-BORGES:FICCIONES
در مقوله ی زندگی , شعر و هایکوهای بورخس ,نباید طرح های داستانی او را از یاد برد که گهگاه به کوتاهی یک فراز است و نماینده ی برخورد بورخس به داستان کوتاه.
در واقع بورخس به تمام ادبیات به شکل روایت به شعر می نگرد و خود را شاعری می نامد که در فاصله ها قصه نیز می نویسد تا بورخسی ها یا غیر قصه هایش را تکمیل کند که نوشته های دورانی مفرد , یا مفردات  اوست در
چرخه ی زمان , چیزی که تاریخ نام گرفته است یا ادبیات بزرگ  . بورخس این مقولات را با نوشته هایی در باره ی شکسپیر تعریف می کند که به زعم او پیش خدا جای دارد و که می گوید
من که بی هوده این همه آ دم ها بوده ام آرزو دارم یک تن باشم
و باز به گفته ی بورخس صدای خدا از گرد باد پاسخش می دهد
من نیز بی هوده این همه آدم ها بوده ام و آرزو دارم یکی باشم .شکسپیر کار تو را به رویا دید و در میان رویاهای من , تو هستی که چند تایی و هیچ یک ...

Having discussed Borges ' life through his poetry and haiku,one might overlook the fantastic fictions of this great writer of 20th century,also known as FICCIONES.,his short parables of a few pages long,and at times even a paragraph!
FICCIONES are popular personal introductory style of Borges in short story writing and numbering 18 of them in print.
In fact Borges looks at the whole literature as "story telling poem."He calls himself a poet who writes stories in between,and  in him these two genres are supplementing his non-fictions,as BORGESIAN,which is that single cyclic writing in a circle of a time,called history or the grand literature within.He defines it through writing about Shakespear,who stands before God and says:
"I who have been so many men in vain,wish to be one"
and according to Borges again:
"God's voice answered him out of a whirlwind:
I,too,am not I .I dreamed the world as you,Shakespear,dreamed your own work,and among the forms of my dream are you,who like me are many,yet no one".
In Borgesian,as well as Ficciones,Borges came down the Tower of Babel as one or many,and yet no one,to share his fantasy with poets like Shakespear to Whitman.,Pound,Eliot,writers like Joyce(of whom he translated part of Ulysses into Spanish)Poe,Twain,Kafka ,Chekov,the realistic-fantastic Conrad and his mysteries,,and especially Cervantes with his Don Quixote,no matter if he read it first in English,and then indulged to digest it,in Spanish,as no one's imaginary world will take shape without Don Quixote de La Mancha.to satisfy one's appetite for epic,and dreadfull desire for dreams.
Borges once mentioned his works moved from expression to allusion.Expression is what the others are expecting you ,as a young author,to write.It is more for a common reader to be taken to common places and meanings.It satisfies publishers too,who are always after a few pages more.By all means he is immersed in Olde English and prefers "South American Speech"to fast pace of Spaniards and their writers.He dislikes blurring the words and the sounds.He is fascinated with literature and culture of The East.That is how his Ficciones are formed and delivered alongside with Borgesian.
...

Friday, November 6, 2009

THE LAST OF GENERATION 27


spanish writer francisco ayala and generation 27
faramarzsoleimani.com
FRANCISCO AYALA,THE LAST OF GENERATION 27 OF SPAIN,GENERACION DEL 1927* IS GONE AT AGE 103.
b.MARCH 16,1906,GRANADA
d.NOVEMBER 3,2009,MADRID
AYALA GRADUATED FROM LAW SCHOOL,UNIVERSITY OF MADRID,1929.AND LATER ACQUIRED A DOCTORATE DEGREE AT LAW.
AFTER EXECUTION OF HIS FATHER AND BROTHER BY FRANCO,HE WENT INTO EXILE LIKE SOME OTHER MEMBERS OF GENERATION 27,SUCH AS:
JORGE GUILLEN,PEDRO SALINAS,RAFAEL ALBERTI,LUIS CERNUDA,ROSA CHACEL,MARIO ZAMBRANO.BY THAT TIME IN SPANISH CIVIL WAR,FROM OTHER MEMBERS OF GENERATION 27,FEDERICO GARCIA LORCA WAS EXECUTED AND MIGUEL HERNANDEZ WAS IN PRISON,AMONG OTHERS.
THE GENERATION 27 WITH THESE AND POETS LIKE VICENTE ALEIXANDRE,MANUEL ALTOLAGUIRRE,DAMASCO ALONSO,GERARDO DIEGO,JOSE BERGAMINE,EMILIO PRADOS,LEON FELIPPE CONTINUED TO ENRICH THEIR HERITAGE ,ACCOMPANIED BY FOREIN POETS AND WRITERS LIKE PABLO NERUDA AND VINCENTE HUIDOBRO OF CHILE,AS WELL AS JUAN RODOLFO,AND OTHER ARTISTS LIKE PICASO,DALI AND BUNUEL,AND POET-TORERO IGNACIO SANCHEZ MEJIAS, SHARED THEIR VIEWS.
SOME OF AYALA,S MAJOR WORKS ARE:
TRGICOMEDY OF A MAN WITHOUT SPIRIT,1925
BOXER AND ANGEL,1929,SHORT STORIES
DEATH AS A WAY OF LIFE,1958
BOTOM OF THE GLASS,1962
FRANCISCO AYALA 'S WORKS WERE CALLED"A MASTERPIECE OF SPANISH LITERATURE"BY JORGE LUIS BORGES,AND ALSO COMPARED TO PICASO'S PAINTING,GUERNICA.HE RETURNED HOME AFTER DEATH OF FRANCO IN 1975,FROM LIVING IN ARGENTINA,BRAZIL,PUERTO RICO AND UNITED STATES.HE WAS ELECTED TO THE SPANISH LANGUAGE ACDEMY AND WON AWARDS LIKE PRINCE ATURIAS IN LITERATURE.AYALA NEVER LET HIS PSIMISTIC VIEWS FADE AWAY,ALTHOUGH AT TIME MIXED THEM WITH SATIRE.HE USED WORDS LIKE BARBARITY AND BESTIALITY TO DEFINE PRESENT CONDITIONS.
----
*GENERATION 27 DERIVED THEIR NAME FROM THE YEAR 1927,WHEN THEY PUBLISHED COMMEMORATIVE EDITIONS OF POETRY OF LUIS GONGORA (1561-1627)ON THE OCCASION OF TERCENTENARY OF THE CORDOBA POET'S DEATH.


Wednesday, October 21, 2009

JACK ON THE ROAD

jack kerouac on the road
faramarzsoleimani.com
.....
"I LIKE TOO MANY THINGS AND GOT ALL CONFUSED AND HUNG-UP RUNNING FROM ONE FALLING STAR TO ANOTHER TILL I DROP."
JACK KEROUAC,JEAN LOUIS KEROUAK
b.MARCH 12,1922,LOWELL,MASSACHUSSETTS.
d.OCTOBER 21,1969,ST.PETERSBURG,FLORIDA.
JACK KEROUAC,AS A NOVELIST IS WHAT ALLEN GINSBURG,AS A POET IS TO BEAT MOVEMENT.THEY BOTH WERE LEADERS AND SPOKESMEN OF A GENERATION FOR SOCIAL CAUSES ,FREE SPEECH AND FREEDOM IN ARTS AND LITERATURE.
JACK WAS NEVER IN THE BOX
JACK WAS ALWAYS ON THE ROAD
THE ROAD OF THE WORLD
WERE FULL OF JACK
HANGING OUT FREE.
FROM JACK KEROUAC , THESE STORY BOOKS WERE PUBLISHED:
THE TOWN AND THE CITY,1950
ON THE ROAD,1957
DHARMA BURNS
SUBTERRANEANS
DOCTOR SAX
MAGGIE CASSIDY
VISION OF GERARD
DESOLATION ANGELS
LONESOME TRAVELLERS...
+IN POETRY,BY JACK KEROUAC:
MEXICO CITY BLUES
BOOK OF HAIKUS
SCATTERED POEMS
SAN FRANCISCO BLUES
POEMS ALL SIZES...
HE EXPERIMENTED HAIKU,A FORM ALSO USED BY OTHER AMERICAN POETS LIKE:
EZRA POND,WILLIAM CARLOS WILLIAMS,AMY LOWELL,WALLACE STEVENS LANGSTON HUGHES,AMONG OTHERS.
IN ONE OF HIS COLORFUL POSTMODERN HAIKU,JACK KEROUAC ONCE SAID:
GHENGIS KHAN LOOKS FIERCELY
EAST WITH RED EYES
HUNGERING FOR AUTUMN VENGENCE.
also: viking portable jack kerouac.
JACK KEROUAC ,BETWEEN PROFESSIONAL FOOTBALL AND LITERATURE,CHOSE THE LATTER AND WENT ALL-THE-WAY TO THE END ZONE OF EXPERIMENTING LOVE AND LIFE.
WE ALWAYS ARE WITH HIM ON THE ROAD.
F.S.
see also:artliteratour.com/ferlinghetti's citylight bookstore

Saturday, October 17, 2009

BIRTH OF A SALESMAN

arthr miller,playwright
faramarzsoleimani.com
b.Oct 17,1915,Harlem,NYC
d.Feb 10,2005,Roxbury,Ct.
ARTHUR MILLER,PRESIDENT OF PEN INTERNATIONAL ,ALWAYS FOUGHT FOR FREEDOM OF SPEECH IN HIS  LIFE.
THAT DOESN'T MEAN HE ALWAYS SUCCEDED,BUT HE TRIED .
MY LATEST ESSAY ON ARTHUR MILLER APPEARED IN 2 ISSUES OF
SIMORGH MAGAZINE,
ON THE EVE OF ANNOUNCEMENT FOR NOBEL PRIZE WINNERS OF  2004
IN LITERATURE.
THE GREAT PLAYWRIGHT OF DEATH OF A SALESMAN AND CRUCIBLE ,LEFT THIS BIG STAGE IN 2005,EMPTY HANDED.
I'LL TRY TO BRING IN HERE SOME OF MY WRITINGS ON ARTHUR MILLER.
...

Thursday, October 8, 2009

(WOMEN)NOBEL PRIZE 2009


HERTA MUELLER

nobel prize winner in literature,2009

faramarzsoleimani.com

NOBEL PRIZE IN LITERATURE FOR 2009 WENT TO HERTA MUELLER,

A ROMANIAN BORN IN 1953,AND A GERMAN WRITER.

SHE IS A POET,NOVELIST AND ESSAYIST AND

THE 12TH WOMAN WHO WON THIS PRIZE.
I LIKE TO REMIND EVERYONE THAT THIS YEAR WINNERS,AS USUAL MOSTLY AMERICANS AND IT IS UNPRECEDENTED THAT THREE WOMEN WON THIS PRIZE IN SCIENCE,AS:
-IN MEDICINE:
ELIZABETH H.BLACKBURN &
CAROL W.GREIDER
-IN CHEMISTRY:
ADA E.YONATH
...(WE WANT MORE!)
I THOUGHT AFGHANESTAN IS GOING TO WIN THIS YEAR'S NOBEL PEACE PRIZE
BUT NORVEGIAN DECIDED TO GIVE IT TO PRESIDENT OBAMA.
NO MATTER FOR HIS DEEDS IN THE PAST
OR HE'LL DO IN THE FUTURE,
HE SURE DESVES IT.

OBAMA ON HIS ANNOUNCEMENT FOR ACCEPTANCE OF NOBEL PEACE PRIZE

SHARED IT WITH IRANIAN WOMEN OF REVOLUTION GREEN,AND:

"THE YOUNG WOMAN WHO MARCHES SILENTLY IN THE STREET

ON BEHALF OF HER RIGHT TO BE HEARD

EVEN IN THE FACE OF BEATING AND BULLET."


ELINOR OSTROM OF INDIANA UNIVERSITY
IS THE FIRST WOMEN WHO WON NOBEL IN ECONOMICS.

AND YOU KNOW WHAT SHE DID?

SHE HELPED POOR NATIONS DEVELOP.
LET'S SHARE THESE WITH OUR MOMS AND DAUGHTERS.
WITH PRAISE AND PRIZE FOR THEM.
(WE WANT MORE!)
*
*
ALSO SCIENTISTS AND PALEONTOLOGISTS DISCOVERED A WOMAN CALLED ARDI,

4.4 MILLION YEARS OLD,AS OUR GRANDMA,WHO LIVED IN ETHIOPIA(WHERE ELSE?)
FARAWAY
IS AFAR RIFT
IN ETHIOPIA
WHERE ARDI LIVED
AND GAVE BIRTH
TO HUMANITY
INCLUDING
HER NOBEL PRIZE WINNER DAUGHTERS
THIS YEAR.

F.S.

Sunday, August 9, 2009

HERMAN HESSE AND METAMORMPHOSIS OF THE POET

herman hesse
faramarzsoleimani.com
*HERMAN HESS,b.JULY 2,1877,KALW,SHWARTZWALD,GERMANY
d.AUGUST 9,1962,MONTAGNOLA, SWITZERLAND

HERMAN HESSE,THE GERMAN POET AND WRITER OF LYRIC AND CONFESSIONAL WORKS IS ALWAYS TRYING TO FIND THE RELATIONSHIP BETWEEN THOUGHTFUL ,SPIRITUAL MAN AND THE UNSEEN SOURCE OF POWER,IN A SEPARATION FROM THE SOCIETY.THIS IS MORE THE IMAGE OF HIMSELF LIVING IN A BRUTAL ENVIRONMENT.AND THAT IS WHY HE LEFT HIS COUNTRY AND LIVED IN EXILE TO THE END OF HIS LIFE.
IN A PSYCHOLOGICAL JOURNEY,HESSE ALSO WENT TOWARDS EAST AND LEFT BEHIND BOOKS LIKE SIDDHARTA AND JOURNEY TO THE EAST.HESSE'S OTHER JOURNEY WAS TO REALM OF PSYCHOANALYSIS TO RELIEVE HIS PERSONAL CRISIS.HE BEFRIENDED JUNG AND WROTE WORKS SUCH AS DEMIAN WITH HIS INFLUENCE.
HERMAN HESSE WHO WAS INSPIRED BY PHILOSOPHERS SUCH AS SOCRATES,SCHOPENHAUER AND NIETZSCHE,ONCE SAID:
"ONE NEVER REACHES HOME.BUT WHEREVER FRIENDLY PATHS INTERSECT THE WORLD LOOKS LIKE HOME FOR AWHILE."
-H.HESSE:DEMIAN.
HESSE,S BOOKS ARE AMONGST THE MOST FAVORITES OF IRANIAN BOOK READERS AND BIBLIOPHILES.THAT IS WHY HIS 67 OEUVRES HAVE BEEN TRANSLATED AND PUBLISHED THROUGH MORE THAN 80 BOOKS IN FARSI,AND SOME OF THEM REPEATEDLY SO .BETWEEN THESE BOOKS YOU MAY FIND:
~HERMAN HESSE'S PETER KAMENZIND ,TR.BY PARAND KESHVARI,GUYA ,TEHRAN,IRAN 1369/1990,INTRODUCTION BY FARAMARZ SOLEIMANI.
ALSO:
~FARAMARZ SOLEIMANI: HERMAN HESSE AND METAMORPHOSIS
OF THE POET,ESPARAK,TEHRAN 1367/1988 , WITH AN INTRODUCTION IN 61 PAGES ON REVIEW AND LITERARY CRITICISM OF HESSE'S WORKS,AND TRANSLATION OF HIS POEMS IN ADDITION TO HIS HIS ILLUSTRATED BIOGRAPHY.THIS A THREE BOOKS COLLECTED AND PUBLISHED IN ONE VOLUME.
I ALSO WROTE ABOUT HESSE AND TRANSLATED HIS WORKS IN LITERARY JOURNALS OF 1360'S IRAN SUCH AS ADINEH (WHEN PUBLISHED AS NEWSPAPER) AND DONYAYE SOKHAN.SOME OF THE OTHER WRITERS AND TRANSLATORS WHO CONTRIBUTED TO FARSI VERSION OF HERMAN HESSE'S WORKS ARE:
GHASSEM KABIRI,PARVIZ DARIUSH,SORUSH HABIBI,MOHAMMAD BAGHAI,MINA BIGLARI,SAFIEH RUHI,DELARA GHAHREMAN(PETGAR),SIRUS SHAMISSA,...
HESSE SAYS : "THE SOUND OF DEATH IS THE SOUND OF LOVE."
TODAY IS THE DAY THAT THE WINNER OF 1946 NOBEL PRIZE OF LITERATURE RESPONDED TO THESE CALLS AND LEFT THE WORLD.
F.S;08092009

Monday, July 27, 2009

MASUD MINAVI(1319/1940-1387/2008)


MASUD MINAVI,A WRITER FROM KUT ABDOLLAH   مسعود مینا وی

modified 4.10.2012
(b.AHVAZ , 1 FARVARDIN 1319/MAR 21,1940-
d.5 MORDAD 1387/JUL 27,2008,TEHRAN,also recorded 7.24.2008)

MINAVI SAYS :
WHEN I WRITE I AM NOT LONELY ANYMORE...
I WRITE BECAUSE I MAKE THE  BITTERNESS OF THE WORLD DETOXIFIED .FOR ME WRITING IS ESCAPING THE NIGHTMARES OF LONELINESS AND REACHING A SECURE PLACE,JOINING A PERSON WHO DOES NOT KNOW ME BUT UNDERSTANDS ME,BELIEVES ME AND ACCEPTS MY MESSAGE.THE ONE WHO IS WITH ME AND ON MY SIDE.I FEEL HE/SHE NEEDS ME AS I NEED HIM/HER.I ALSO TICKLE THEM ON THEIR SLEEPING CONSCIOUSNESS.
from DONYAYE SOKHAN MONTHLY,#17,P.16,FARVARDIN 1367/1988.Tr;F.S.

BOOKS UNDER PRINT BY MASUD MINAVI:
OLD MAN,SUMMER AND PAPER FLOWER   پیرمرد ،تابستان ،و گل کاغذی
ABUD'S BOAT  لنج عبود
GREY JETTy  اسکله خاکستری
+THOSE DAYS IN THE SOUTH   ان روزها در جنوب

MASUD MINAVI WAS A COLLEAGUE OF HOSSEINALI MALLAH IN MUSIC IRAN MAGAZINE OF 1340,S. HE ALSO COLLABORATED WITH JONG e JONUB/THE SOUTH ANTHOLOGY OF ART AND LITERATURE,IN1350'S,AND POETS,WRITERS AND CINEMATOGRAPHERS SUCH AS NASSER TAGHVAI,NASSER MOAZEN,KHAKSAR BROTHERS,NASSIM AND MANSUR,ADNAN GHOREIFI,PARVIZ ZAHEDI.
He PUBLISHED HIS WORKS IN DONYAYE SOKHAN,CHERAGH,LOH AND OTHERS...
THIS ABADANI KID WHO WAS BORN IN KUT ABDOLLAH QUARTER OF AHVAZ,IN KHUZESTAN PROVINCE of Iran ,WROTE SHORT STORIES FOR 40 YEARS ,BUT HE REALLY WAS A MASTER OF ORAL STORY TELLING.HE had LIVED LONG WITH HIS HEROES AND ANTI HERDOES ON LANGD AND SEA.On boats and on foot.
My dear Masud WAS SO LONELY ESPECIALLY WHEN HE LOST HIS MYNA BIRD:MINA,AND NOW WE ARE LONELY TOO WITHOUT HEARING HIS HAPPY VOICE,TELLING US HIS STORIES OF THE PERSIAN GULF ,THE SOUTH ,THE PORTS AND THEIR PEOPLE LIKE FISHERMEN AND SEAMEN IN THE BLUE LANDSCAPE WITH THEIR TRADITIONAL FISHING BOATS and long white Deshdasheh,as he was always wearing it  in our night gatherings.
WE MISS YOU MASSUD!with one or two or many sss's
Once I dedicated my Poem:RAZ II to him and my other good poet friend,also from Abadan,Azim Khalili.
This was published in my book:AVAZHAYE IRANI,and dated Shahrivar 1366/1987

می نوشد آفتاب
از تن تشنه ی شن 
آشفته می شود
نگاه برگ 
بر شاخه ها 
مهمیز رود 
می زند زخمی 
می درد با د 
حجاب غبارین را 
پرواز گرده 
فاش می شود 
بر آشیان سبز 
می لمد خورشید 
می رود 
رگان نخلستان 
در تن تشنه ی شن 
فرامرز سلیمانی :آواز های ایرانی 
به نگار،تهران ۱۳۶۸/1989
The sun drinks
from thirsty body of the sand 
the gaze of leaves 
goes on tumult  
on branches
the spur of river
brings a wound
the wind
rips
 the dusty veil
flight of pollen
becomes clear
on the green nest
lies down the sun
the veins of palm grove
goes to
thirsty body of the sand
from:AVAZHAYE IRANI / PERSIAN SONGS
-F.S.

Wednesday, July 22, 2009

TAJIKESTAN IN FARSI

silhouette,sayeh ha collection,by:moj book
faramarzsoleimani.com
TAJIKESTAN OFFICIALLY STARTED TO WRITE ,READ AND SPEAK FARSI ON THIS DATE OF 31 TIR 1368/JULY 22,1989 .TAJIKS WERE FORCED TO USE SIRILIC ALPHABET FOR MORE THAN SEVEN DECADES.ENFORCERS WHO ARE KILLERS TRIED TO KILL A LANGUAGE AND THE CULTURE BEHIND IT.ENFORCERS DIED.FARSI LANGUAGE SURVIVED.NOW WE ARE CELEBRATING TAJIKESTAN'S NATIONAL FARSI DAY,IF YOU WILL.
THERE ARE 7000 LANGUAGES AROUND THE WORLD AND HALF OF THEM MIGHT DIE SOON.
UNESCO BELIEVES THAT ABOUT 2500 LANGUAGES ARE IN DANGER OF EXTINCTIONM LIKE ENDANGERED SPECIES.ENGLISH,THE MOTHER TONGUE OF THE WORLD IN 20TH CENTURY AND 2000'S IS THE DOMINANT KILLER AND EXTINGUISHER.115 LANGUAGES LOST THEIR LIVES IN U.S.DURING THE PAST 500 YEARS, INCLUDING 53 SINE 1950
AND ONE IN 2008 : EYAK LANGUAGE IN ALASKA WITH THE DEATH OF THE LAST PERSIAN WHO WAS ABLE TO SPEAK ITTHEN COMES SPANISH AS THE LANGUAGE OF "CONQUISTADORES" ,ARABIC ,THE RELIGIOUS LANGUAGE,RUSSIAN,THE LANGUAGE OF FAILED EMPIRE,AND SOON CHINESE OR EVEN HINDI.SO BE READY!
ENGLISH KILLED MANY LANGUAGES AROUND THE WORLD,OR WEAKENED THEM TO STEP ASIDE,INCLUDING LANGUAGES OF NATIVE AMERICANS.THIS IS A PHENOMENON WITH A LONG HISTORY OF 100,000 YEARS OR MORE,AND STILL GOING.IN THE PAST 10 000 YEARS THAT HUNTERS TURNED TO AGRICULTURE AND GATHERED IN PRIMARY COMMUNITIESTHE DOMINANT LANGUAGES APPEARED TO A BIG FORCE TO SILENCE SMALLER GROUPS.THEN URBAN COMMUNITIES STARTED AND MIGRATION STARTED FOR ABETTER LIFE,OR THE WORSE AND LANGUAGES CORRUPTED,CONTAMINATED,CONVERTED
STAINED OR FULLY DISSAPEARED
THERE WERE NOT SO MANY LANGUAGES TO RESIST CONQUERORS AND GAVE IT UP OR AS USUAL TRAITORS DEFEATED THEM BY OPENING THE BACK DOORS.
O BACK DOORS !ALWAYS IN THE BUISENESS OF WRITING HISTORY ANEW...
SOMETIMES CONQUERORS GAVE UP AND RETURNED OR REGRESSED.ALEXANDER WHO NOW GETS A FACE LIFT BY HOLLYWOOD MOVIES OR SOAP OPERA HELINISTIC SCHOLARS,THE LIKE OF HERODOTUS,FELL IN LOVE WITH IRANIAN CULTURE(AND WOMEN,AND SHIRAZ WINE WAS SO GOOD TOO)AND BECAME IRANIAN ,WITH HIS SELEUCID EMPIRE ,DISSOLVED IN PERSIAN EMPIRE AND ITS CULTURE,THOUGH ALEXANDER STILL LOOKS LIKE A GREAT PHILOSOPHER,BETTER THAN HIS MASTER ARISTOLE, IN THESE SERIALS RATHER THAN A DRUNKARD SERIAL KILLER.
I DO NOT TRUST THE EDITOR OF "WORLDS AT WAR",A REDABLE BOOK WITH CAUTION, WHO WROTE HIS STORY BOOK THROUGH "FATHER OF FAKE HISTORY"WITHOUT DOING MUCH OF RESEARCH IN REAL HISTORY BOOKS.THIS BUISENESS OF "WE GREK AGAIST ALL OTHER THE WORLD AS BARBARIAN" IS A RAG RATIONAL,MEANING NONESENSICAL.
THE SAME IS THROUGH WITH THESE PUBLICATIONS ,FACE LIFTING THE OTHER GRAND KILLER NAMED TEMUDGIN OR JENGIZ, AND PROMOTING HIM TO SPIRITUAL LEADR AND QUASI PROPHET. HE CONQUERED THE OLD WORLD ALL THE WAY FROM MOMGOLIA OF CHINA TO PRESENT DAY ENGLAND BUT THANKS TO DESTINY THERE WAS A FIGHT BACK HOME IN HIS TRIBE AND HE LEFT HIS VERSION OF "NEW WORLD"
AND RUSHED BACK.OTHERWISE WE ASIAN AND EUROPEAN ALL THE WAY TO THE GREAT LITTLE UNITED ISLANDS ,WHO FOUGHT MANY WARS AFTER RAPE OF EUROPA,WOULD SPEAK MONGOLI,PROBABLY THE MOTHER TONGUE OF ALL TURKIC ,AND OUR OWNLANGUAGE WOULD BE DEAD FOR 9 CENTURIES.
BUT THE LANGUAGE NEVER IS DEAD EVEN IF IT IS DEAD.IT IS LIKE HUMANITY AND HUMAN BEINGS.IT IS LIKE POETS AND WRITERS.THEY HAVE SEVEN SOULS AND LIVE IN SEVEN STORIES OF HEAVENS.
IF 20TH CENTURY IS THE TIME OF LOST AND FORGOTTEN LANGUAGES,IT IS THE TIME OF RESURRECTION,AS WELL.THIS ESPECIALLY TRUE IN AFRICA, EX SOVIET UNION DOMAIN AND MIDDLE EAST ,IN FARSI ,TURKISH AND KURDISH SPEAKING REGIONS,AND TAJIKESTAN IS ONE GOOD EXAMPLE.
THAT,S WHY FARSI IN TAJIKESTAN DID NOT DIE.
HAPPY FARSI DAY,TAJIKESTAN!

SEE:WWW.LIVINGTONGUES.ORG
WWW.UNESCO/CULTURE
A.PAGDEN;WORLDS AT WAR,THE 2500-YEAR STRUGGLE BETWEEN EAST AND WEST,RANDOM HOUSE 2009
J.DAVIDSON;THE GREEK AND GREEK LOVE,A BOLD NEW EXPLORATION OF THE ANCIENT WORLD,RANDOM HOUSE 2009
ALSO MULTIPLE NEW BOOKS ON JENGIZ KHAN,OR CHOOSE YOUR OWN IN PAPERBACK DEPARTMENTS.
MONGOL, A MOVIE OF U.S;RUSSIA AND GERMANY,DIRECTED BY SERGEI BODROV,2009
FIRST EPISODE OF A TRILOGY.

Monday, May 18, 2009

KHAYYAM DAYروز خیام

khayyam's grave in neishabur,khorasan
architect:hushang seihun
faramarzsoleimani.com



تا کی غم آن خورم که دارم یا نه
وین عمر به خوشدلی گذارم یا نه

پر کن قدح باده که معلومم نیست
کاین دم که فرو برم برآرم یا نه
---

خیام اگر ز باده مستی خوش باش
با ماهرخی اگر نشستی خوش باش

چون عاقبت کار جهان نیستی است
انگار که نیستی چو هستی خوش باش

خیام
خیام اگر ز باده مستی خوش باش
با ماهرخی اگر نشستی خوش باش

چون عاقبت کار جهان نیستی است
انگار که نیستی چو هستی خوش باش

خیام

dreaming when dawn's left hand in the sky
I heard a voice in tavern cry
awake my little ones and fill the cup
before life elixir in cup be dry
khayyam,omar khayyam,abolfath omar ebn e ebrahim e khayyam was born :
28 ordibehesht 463 khorshidi,neishabur-13 azar 510 kh. ,neishabur,khorasan,iran
d.may 18, 1084-dec 4,1131 neishabur
KHAYYAM حکیم عمر خیامIS A POET ,MATHEMATITIAN,PHILOSOPHER AND MASTER OF MEDICINE,HISTORY,ASTRONOMY,AS WELL WHO ALSO ARRANGED A NEW PERSIAN CALENDAR ,CALLED TAGHVIM JALALI,BUT BETTER BE KNOWN :TAGHVIM KHAYYAMI.OMAR KHAYYAM'S RUBAYYAT / QUATRAINS , A BELOVED POETRY COLLECTION IN ENGLISH WAS TRANSLATED BY EDWARD FITZGERALD IN 1859 AND THIS YEAR ,CAMBRIDGE UNIVERSITY IS CELEBRATING 150TH ANNIVERSARY OF EDWARD FITZGERALD'S RUBAIYAT KHAYYAM .KHAYYAM'S RUBAIYAT HAS BEEN PUBLISHED IN VARIOUS LANGUAGES SINCE THEN.RUBAI, A KHAYYAM'S FAVORITE POETICAL FORM,ORIGINATING FROM PRE-ISLAMIC FORMS LIKE GATHA OF ZARTOSHT/ZARDOSHT(ZOROASTER),FAHLAVIAT OR PAHLAVIAT AND DO BEITI,GAVE ITS HERITAGE AND TRADITION TO SIMILAR FORMS LIKE HAIKU,WHICH COULD ORIGINALLY BE RECOGNIZED AS A PERSIAN POETRY FORM TOO,AND IN MODERN TIME REACHED POETS OF DIFFERENT LANGUAGES AND CULTURES SUCH AS EZRA POND ,LANGSTON HUGHES,JACK KEROUAC OF USA,GIUSEPPE UNGARETTI OF ITALY,OCTAVIO PAZ OF MEXICO,TO NAME A FEW .IN CONTEMPORARY PERSIAN POETRY WE FOLLOW TRACES OF RUBAI IN MOJ SEVOM OR THE THIRD WAVE AND OTHER POST NIMAI SHOOLS OR MOVEMENTS OF MODERN AND POST MODERN NATURE.
cover,sadeghHEDAYAT's KHAYYAM
ترانه های خیام صادق هدایت
در کـارگـه کـوزه‌گـری رفتـم دوش
دیدم دوهـزار کوزه گویا و خموش

ناگـاه یکـی کـوزه بـرآورد خــروش
کو کوزه‌گر و کوزه‌خر و کوزه‌فروش

خیام

OF NOTED EDITORS OF KHAYYAM'S RUBAIYAT IN FARSI IS SADEGH HEDAYAT,
A PIONEER OF MODERN IRANIAN FICTION AND SHORT STORY WRITER,.HEDAYAT SELECTED RUBAIYAT ACCORDING TO THEIR ORIGINITALITY AND PLACED THEM THEMATICALLY IN ORDER.HE PUBLISHED HIS BOOK WITH A CRITICAL INTRODUCTION UNDER THE TITLE OF 'TARANEH HA YE KHAYYAM' IN 1934.
WHEN THE CLOUD WASHES TULIP'S CHEEK IN NOWRUZ
GET UP AND MAKE FIRMLY FOR WINE CUP
'CAUSE THIS GREEN SPOT IS YOUR PLAYGROUND TODAY
TOMORROW WILL ALL BE GROWING OUT OF YOUR DUST
THE OTHER WELL KNOWN EDITORS OF KHAYYAM ARE DR. GHASSEM GHANI,A MEDICALPHYSICIAN,AND
ALI FOROUGHI WHOSE WORKS HAD BEEN THE REFERRENCE POINT OF TRANSLATORS SUCH AS PETER AVERY.
DON'T SEEK TO RECALL YESTERDAY THAT IS PAST
NOR REPINE FOR TOMORROW WHICH HAS NOT YET COME
DON'T BUILD YOUR HOPES ON THE PAST OR THE FUTURE
BE HAPPY NOW AND DON'T LIVE ON THE WIND
ONCE IN EMAMZADEH MAHRUGH OF NEISHABOR I WAS WANDERING AROUND WITH NIMA AND FRIENDS,POETS AND WRITERS.OR MAY BE IT WAS IN ONE OF CLASSES OF MOVAFFAGH,THE GREAT TEACHER OF NEISHABUR THAT I SAW KHAYYAM COMING OUR WAY. I RAN TOWARD HIM AND ASKED:
WHAT IS THE STORY OF YOU AND YOUR CLASSMATES AND FRIENDS KHAJEH NEZAMOLMOLK AND HASSAN SABBAH, THAT WHOEVER GETS TO HIGHER RANKS IS TO HELP THE OTHERS ALTHOUGH YOU ARE COMING FROM DIFFERENT DAY AND AGE?
KHAYYAM SAID :
WE WHO ARE THE SOURCE OF OUR HAPPINESS AND THE MINE OF OUR SORROWS
THE REPOSITORY OF OUR JUSTICE AND FOUNDATION OF INEQUITY
WE WHO ARE CAST DOWN AND EXALTED PERFECT AND DEFECTIVE
AT ONCE THE RUSTED MIRROR AND JAMSHID'S VIEWING ALL GLASS
ONE MORE THING BEFORE I LET KHAYYAM GO BACK TO NEISHABUR TO ATTEND HIS B-D PARTY WHICH SUPPOSE TO BE A SURPRISE PARTY ,AS USUAL.THE GREAT EZRA POND , MODERN POET OF MODERN POETS LIKED KHAYYAM SO MUCH THAT CHOSE HIS NAME ,OMAR , FOR HIS SON AND I AM GOING TO LOOK FOR A POEM RELATED TO THIS ,I TRANSLATED ONCE AND READ IT FOR YOU.
-DR.FARAMARZ SOLEIMANI,M.D;MEMBER AND CONSULTANT, INTERNATIONAL BIOGRAPHICAL CENTER,CAMBRIDGE,ENGLAND

Monday, April 27, 2009

MAGIC MARQUEZ


dali,s melting time
image by: moj book
faramarzsoleimani.com
AUG 6,2009
*MAGIC MARQUEZ
THE MAGIC REALIST WRITER,GABRIEL JOSE DE LA CONCORDIA GARCIA MARQUEZ,ALSO KNOWN AS GABO ,DOES NOT FEEL WELL AND DECIDED TO DEPRIVE THE WORLD OF HIS NEW WORKS.

gabo saying farewell
faramarzsoleimani.com


GABRIEL GARCIA MARQUEZ b.MAR 6,1927 IN ARACATACA,MAGDALENA,COLOMBIA,WHERE HE STARTED HIS LITERARY CARRIER AS A JOURNALIST.HE WON 1982 NOBEL PRIZE IN LITERATURE,ESPECIALLY FOR HIS OEUVRE: CIEN ANOS DE SOLEDAD/ONE HUNDRED YEARS OF SOLITUDE.
MAGIC MARQUEZ ,NOW SUFFERING FROM LYMPHATIC CANCER,SAID GOODBYE TO THE PEOPLE OF THE WORLD.HE ALSO SAID:
I WOULD SLEEP LESS TO DREAM MORE

I DO NOT WANT TO WAIT FOR FURTHER NEWS ABOUT HIM.
I SHALL WRITE ABOUT MY FAVORITE WRITER IN THIS CORNER,INCLUDING EXCERPT OF MY ESSAY ON HIS BOOK,FIRST PUBLISHED IN 1359/1980, AND TRY TO HAVE FUN WITH THE COLUMBIAN MAGICIAN WHO ONCE SHOOK THE WHOLE WORLD WITH HIS NARRATIVES.
BUT LET ME TELL YOU.NOW HE IS SHAKEN HIMSELF BECAUSE OF A KIND OF CENSURESHIP  STAGED AGAINST HIS LATEST BOOK,THE NOVELLA:
MEMORIAS DE MIS PUTAS TRISTES/MEMORIES OF MY MELACHOLY WHORES,PUBLISHED 2004.A LOLITAESQUE SEQUEL TO HIS ONE HUNDRED YEARS OF SOLITUDE,AND LOVE IN THE TIME OF CHOLERA.
THE DECISION OF MAKING"MEMORIES...",A MOVIE,WAS PUT ON HOLD IN MEXICO,WHERE MARQUEZ RESIDING IN THE PAST TWO DECADES,"FOR THE ACTS THAT COULD BE CONSTITUTED AS THE CRIME OF CONDONING CHILD PROSTITUTION"ACCORDING TO A HUMAN RIGHT GROUP.
MORE TO COME...


*O AUTHORS!
EARLY BLAZY LABORS
LATE PEG LEG
BELATED IN THE RUIN
ON THE RUN
O AUTHORS
OF THE SOMETIMES
DOLL
ARTS
AS MARQUEZ CALLED YOU
-F.S.

Thursday, April 23, 2009

*DON QUIXOTUS SHAKESPEAREUS

don quixote de la mancha and sacho panza according to pablo picasso

They will not forgive me.I'm sure they won't.I am talking about
DON QUIXOTUS SHAKESPEAREUS of April 23,1616
who was dead or just out at bloody birth spread by a preGennerian sterile midwife's hands in Stratford of Avon or freshly dead in Madrid with Sancho Panza and Rocinante submerged into their own tears, in vertical position while Cervantes de Savaadra peeking through window.
I am scared of their witty sarcasm and revenge without pitty,so I hereby call them out loud by their names. after all these guys taught us how to be paranoid kings and queens,not to mention jealous lovers and avid traitors in good practice,and may be accidental poets and writers too.
So I tip my National Baseball team cap in red,weather always looser or ocasional winner,before saying :
HOLA,HI ,HASTA LA VISTA AMIGOS,MY FRIENDS,GOOD DAY.SEE YA NEXT APRIL 23RD.
see more: faramarzsoleimani.com/postcard from mars