Wednesday, November 23, 2011

KHAYAMESQUE:DEATH COMES

It is a saddle
no one wants to fit
but everyone does.
Death comes like fall 
and jumps in rush right in 
like spring 
دوری که در آن آمدن و رفتن ماست  
او را نه نهایت نه بدایت پیداست 
کس می نزند دمی در این معنی راست
 کین آمدن از کجا و رفتن به کجاست 
"in the round of coming and passing 
there is no clear beginning  or ending 
no one gives a true meaning 
where where this coming is from and going
(english by F.S.)

It is a saddle 
sadly you get on 
it is sad if you fall
DEATH COMES WITH LIFE AND STAYS AROUND

PERSIAN GRAFFITI

خطنقاشی یا نقاشیخط را خطاشی هم خوانده اند که ریشه در سیاه مشق خوشنویسی دارد
 و میراث به گرافیتی می دهد 
این دو نمونه ر  ا به بهانه زاد روز استاد تابناک در ۲۰ نوامبر ۱۹۳۵ تهران/۲۹ آبان ۱۳۱۴     
 در این جا آورده ام

Tuesday, November 22, 2011

TRISTAN IS 11

HAPPY BIRTHDAY TRISTAN
11.22.11

OPEN SIDE

پری که با پهلوی باز آمد 
پری به پهلوی باز زد 
و در باز زدن باز 
باز پهلو به پهلوی پری زد 
که باز آمد 
تا باز 
پری به پهلوی باز آمده بود 
و باز به باز 
پهلو به پهلو   چند  پهلو
 پس آوا را باز آورد تا آوای باز پهلوش 
در راه دریا... 

pet scan
11.21

Sunday, November 20, 2011

DANCING WITH DEGAS دگا: سفرنامه شهری

AS AN ARTIST,DEGAS IS AN ANARCHIST
-PISSARO



Degas' ballerinas are nude in their merits ,appearances and performances.His nudes are ballerinas.,They dance transparent under the light .they gather together under the light in melancholy.They dance with Degas and with us..Understudy,they move and on stage,they wave their bouquets.In dance class ,they wait or dance barefoot or covered ,adjusting their shoes,resting with seated violinist,rehearsing,extending in their breast and bodies.accompanying their peers and professors.
"HE IS LIKE A WRITER STRIVING TO ATTAIN THE UTMOST PRECISION  OF FORM ,DRAFTING AND REDRAFTING ,CANCELING ,ADVANCING BY ENDLESS RECAPITULATION,NEVER ADMITTING THAT HIS WORK HAS REACHED ITS FINAL STAGE."
--PAUL VALERY
1871-1945
POET AND CRITIC
There are not much limits between Degas' nude and ballerinas .Only the distance between Boston and Washington,d.c. With repEtition and variation,as the heart of the matter in Degas' work and his composition. His dancers in rose,blue ,green ,and at times gray or gold and yellow,are within his variations and his statues,as well.
"Posed as the only true dancer could,petit danceuse de qutorze ans/little dancer age fourteen,stands as one of the most celebrated  and recognized sculptures of modern times.Created between 1878 and 1881,it is the only sculpture Degas chose to exhibit i his lifetime,perhaps because of the great critical controversy his revolutionary naturalistic approach generated among his peers.The original ,made of wax and fabric,stands 39'' tall and is dressed in a bodice of yellow silk,a skirt of gauze,real ballet slipper and hair of horsechair tied with a satin bow.The bronze and fabric statue from The Baltimore Museum of Art was cast in 1919-1921 and is 38'' tall"
Alice Morawetz Bequest Fund(BMA 1943.1)
In a sunny autumn day ,I leave Degas,this America-French artist with his dancers in Phillis Collection,as well as other museums,to rediscover him in the other exhibition of passion and compassion around the world.Au revoir Degas.
PEOPLE CALL ME THE PAINTER OF DANCERS,BUT I REALLY WISH TO CAPTURE MOVEMENT ISELF."
--EDGAR DEGAS
DANCERS AT THE BARRE
POINT AND COUNTERPOINT

11.20.11

Saturday, November 19, 2011

WORDSWORTHESQUE:SPLENDOR IN THE GRASS

Splendor in the grass
Glory of flowers
Green movement of moments
In evergreen spring.
O lady in the dark
Clads in closed window
of the day
With sudden journey 
of Venus
in the wind.
O baby!

DEGAS' WAITING دگا: انتظار






انتظار از اصول هنرهاست .ما  در شگون شکفتن به انتظار می مانیم و می شکفیم .در خواهش و آفرینش و تماشا و گم شدن.در جهانی دوگونه و یگانه که گم و پیدا می شود ،در تن ها و جامه،تا که ما را به صحنه فرا خواند .انتظار از اصول  آفرینش و تماشاست.در صف انتظار دگای نقاش و تندیسگر و شاعر  با ما ایستاده است و قرار ندارد و دختران رقصنده اش بی قرارند.و "مادر صحنه ها"هم با ماست.و انتظار ،پاره یی از اجرا و اخلاص هنرمند است که او را به تماشا بر سر پا نگاه می دارد و می اندازد تا به کاغذ و بوم و رنگ  و روغن و گچ و موم دست یازد ،و آنگاه که بینایی ش را از دست رفته می بیند می نویسد که: من همچنان رویا ی طرح هایم را دارم...
او آوایش را در بی آوایی سر می دهد تا که ا ز گلوی ما به در آید.
او آخرین رقص هایش را می رقصد تا دست ها و پاهای ما را به حرکت در آورد .
او شادمانه با ما به راهی بی انتها می رود تا آن چه را که نمی بیند برای بیننده گان و رونده گان وا   نهد.
DEGAS OF CHICAGO,PLATE#15,WAITING
from DANCERS SERIES