اردشیرمحصص1/2 ARDESHIR MOHASSES COUNTRY*

اردشیر محصص
کاریکاتوریست,طراح  و طنز پرداز مهاجر ایرانی
طرح ، گوهر صمیمی هنرمند را به سا ده گی می نمایاند و حس ها و هیجانات او را به روشنی و ایجاز تمام
 می نمایاند
اردشیر محصص  در تصویر تاریخ با طرح ها و کاریکاتورهای
طنز آمیزش به این درجه از درج حقیقتی فراتر و واقعی تر از واقعیت برای نمایشی صمیمی از تاریخ گذشته و حال میهن و مردم و خو یشتن خویش رسیده است . او ذهنیتی دقیق و مو شکاف را با تر دستی و مهارت تکنیکی در اثا رش بروز می دهد تا یاد گذشته یی بی گذشت را به روز آمدی بی ترحم کشد
ف.س

img:moj

ardeshir mohassess, a major persian satirist and cartoonist

http://www.faramarzsoleimani.blogspot.com/
MOHASSESS NAKED FOREVER
on the day he left: 10/09
OBEID OF ZAKAN
STARTED THE WOLE GAME
AND ARDESHIR
OF GILAN
COUGHT THE BALL
AND RAN WITH THE OTHERS
ON A ROOFTOP OF TWO OPEN ENDS
WITH A ROOFTOP OF TWO OPEN ENDS.
SOMETIMES I WENT TO SEE HIM
IF STILL PLAYING.
HE WAS.
HE OPENED THE WINDOW
OF FIFTH AVENUE
TO THE WORLD
AND THE WINDOW
WAS STILL WIDE OPEN.
HIS NAKEDNESS
OF SEEING THE WORLD NAKED
WHEN NAKEDNESS
BRUTALLY IS NAKED
IN FRONT OF OUR EYES
AND THE WHOLE GAME
IS PLAYING BY US
ON ROOFTOPS.

Ardeshir Mohassess by David Levine

 ARDESHIR MOHASSESS ,LAHIJAN 09/09/09-09/10/2008 NEW YORK
*UNCOVERING COVERED*
FIRST CAME WITH SATIRE
AND SUSPICION
BUT NOT SO SATISFIED
THEN STARTED SWITCHING HEADS
WITH ROSES AND NIGHTINGALES.
THERE WERE BUTTERFLIES SINGING
AND CHANGING COLORS
THERE WERE KINGS
AND QUASI KINGS
EATING THEIR SUBJECTS.
THERE WERE COVERED
BEING UNCOVERED
IN COVER UPS.
HE STARTED WRITING OPEN LETTERS
TO WEAKLING POWER THIRSTY CLOWNS.
AND THESE MEN'S NOSE
 GREW BIGGER AND LONGER
AND THEIR EYES POPPED OUT
OR WIDE SHOT..

HE WAS LOUD
LOUDER
AND LOUDEST.
GHAJAR,YOU SAY IT QAJAR
AS PRE-PAHLAVI PERIOD
WAS NOT LONG ENOUGH AN ERA
TO COVER
HE WAS EXTENDED TO PAHLAVI
AND POST PAHLAVI
ON HANGING ROPES
OR IN PLASTIC PALACES
SOMTIMES EVEN TORN AND RUINED,
HE WAS EXTENDED TO THE WORLD.
OPPRESION BECAME SATIRE.
SUPPRESSION BECAME SATIRE.
DEPRESSION BECAME SATIRE.
AND CRY CASCADED HIS THROAT
AND TEARS BECAME WATERFALLS
MISTY AND MYSTIC.
I OFTEN FOUND HIM
HIDING
BEHIND EASLE
IN AN AISLE
OR WAS IT EASLE
HIDING
BEHIND HIM?

THAT WAS HIS FAVORITE SPOT TOO.
THAT WAS HIS DESTINY.
AND BEING LOUD
LOUDER
LOUDEST.
I FOUND HIM
COVERED UNCOVERED
AND ALL NAKED
THIS WAS HIS ART...

open letter,art by ardeshir mohassess,a major persian satirist

faramarzsoleimani.com

ps:when I was writing this piece,I thought of another major persian satirist,parviz shapur,who is known as the best drawer of ardeshir mohassess' cartoon.

we just need a few samples to prove this.

*

Where did he sharpen

his pen

before he performed drawing

on drawing studded walls

who stroke fears

on Amirs and Kings?

Where did he brew ink

to soak papers in?

In what lines he drops his portraits

of power and poor

on what rope of irony he hangs

their dresses

to be dried and ironed by the sun?

It is line without limits.

a srange will

to make story

of history.

a sharp pen

broken in sharp pen.

IT IS A SHARP PEN IF YOU DECIDE TO SHARPEN YOUR PEN,.IF YOU MAKE IT SHARP

YOU MAKE IT SHARP

YOU SHARP IT

TO MAKE

YOU ARE A MAKESHIFT SHARP.

AND YOU SHARP

AND YOU MAKE AND YOU SHIFT

AND

YOU.

...and you share and you shake hands to share it wit ardeshir mohassess

and ardeshir still shaking

to share it with you