Showing posts with label HEDAYATOLOGY. Show all posts
Showing posts with label HEDAYATOLOGY. Show all posts

Thursday, February 17, 2011

FS#1007:HEDAYATOLOGY-28,IRANIAN ORIGINALS:NIMA,HEDAYAT AND FORUGH

THREE ORIGINAL ORIGINALS IN PERSIAN POETRY,FICTION AND MODERN LITERATURE







forugh farokhzad,nima yushij,sadegh hedayat,manuchehr atashi,Dr bahram sadeghi

It's been years since the lonely summer of 1331/1952 that I was getting ready to go to high school at age 11.
At that time,every one was advising me not to meet  Sadegh Hedayat in his writings.He was a jerk. A total taboo.He was a pervert that made you masturbate and ruin your life .And you end up committing suicide by reading his books.BUF KUR/BLIND OWL was particularly like a big sin,and if you touch it,you are burned.
You are done.You are gone to hell.
It wa that typical hot and humid summer afternoon in Sari,Mazandaran that when I heard my dad started snoring,when he took off a big lunch spread,after work,and ceded to a nap,that I pulled  Buf kur out of his library in our kitchen-warehouse and was absorbed by its ambiance  in a bombardment of words and metaphors.
With Jahangir ,my buddy and my main rival in school,we were exchanging books to that point.He was more on philosophy and I was on poetry and stories like books by Heidar Reghabi, and Mehdi Hamidi Shirazi,the poets of those days,Mohamadali Jamalzadeh,Mosta'an,Javad Fazel,Renee of Chateau Briand,Werter of Gothoe among others.,until one day Jahangir came and said to me:
You should read Raha of Fereidun Tavallali.This guy is fantastic.
And he was darn Right.
Tavallali was different before  I start reading Nima,Shamlu,Forugh and others.
But Hedayat was always a temptation.
and that hot and humid afternoon in the summer of Sari,Mazandaran he contained me.
There was not a single year,since then that I did not go back to visit Sadegh Hedayat and his masterpiece:Blind owl,in Farsi and sometimew lately in English or French,and each time I found a differnt writer with different characters ,telling different stories.
And each time I said to myself:This is what is call ORIGINALITY,
AS I'VE SEEN IT WITH WORKS OF NIMA AND FORUGH FAROKHZAD.
I never forget once in Tehran,when Hedayat's book went on sale for one Tuman each.,or some for 5 to 7 rials,I bought a bunch of them in Amir Kabir Bookstore of Mokhberodoleh Square and started  reading Buf Kur while wlking home and finish it by the end of Shahreza Avenue,before Fuzieh Square.
And this was probably my 6 0r 7th time when just acquired  high school diploma and entering
Tehran University,
while teaching in Omidi Elementary School and Writing for Cinema Magazine and other publications,
Anyways,
Somehow with Manuchehr Atashi,at the start of his carrier,
especially with AHANG DIGAR/ANOTHER SONG,
Dr Taghi Modarressi's Yakolia
and Dr Bahram Sadeghi with his MALAKUT,
or Dr Gholamhossein Saedi's plays
now I see Hedayat with Nima and Forugh as the most originals of originals in our poetry and literature.
So much for so much.
Let's see how I look at nimahedayatforugh,Atashi and Sadeghi as
IRANIAN ORIGINALS.
.....

FS#1006:HEDAYATOLOGY 27,OVERVIEW-2


...Man has not found cure for the disease .
Relief from it is only found in oblivion by wine and sleep by opium and narcotics.
But alas these effects are only temporary , so instead of relieving the pain,
after a while it is even aggravting it...



There are sores that slowly erodes the mind in solitude like cancer.
It is impossible to convey the idea of the agony this disease can inflict,
as in general people are apt to relegate such inconceivable sufferings to the degree of incredible.
Any mention of them in conversation or writing in the light of current beliefs in particular and tends to provoke a smile of incredulity and derision...


...Wether someone will some day solve the secrets of there spranatural happenings,
this reflexion of shadw of spirit ,bringing about between unconscousness and the limbo
of sleep and wakefulness?






Thursday, February 18, 2010

FARAMARZ SOLEIMANI:PARIS 50

sadegh hedayat,drawing by:javad alizadeh
PARIS 50
a poem by:FARAMARZ SOLEIMANI
for:SADEGH HEDAYAT
.....
see more:hedayatology/poems dedicated to sadegh hedayat

Wednesday, February 17, 2010

25.HEDYAT BY ARTS,PAINTINGS AND DRAWINGS


modified 2.17.11



























sadegh hedayat by paintings of amin nurani

24.HEDAYAT BY PIX/MOJ BOOK FOTOFILE

23.HEDAYAT ARTWORKS

22.HEDAYAT AND GORUH ARBA'EH/4-MEMBER-CIRCLE





sadegh hedayat,massoud farzad,mojtaba minovi and bozorg alavi,odabaye sab'eh or 4-member circle
www.faramarzsoleimani.blogspot.com/hedayatology
HEDAYAT AND HIS PEERS BOZORG ALAVI,MASUD FARZAD AND MOJTABA MINOVI,STARTED MEETING IN A CIRCLE TO ESTABLISH A DISCOURSE OF MODERN PERSIAN LITERATURE.ON THE OTHER HAND THERE WERE GORUH SAB,EH OF 7 CLASSICAL MEMBERS WHO DID NOT WANT TO ARRIVE AND WORK WITHIN CONTEMPORARY DOMAINS IN POETRY AND LITERATURE
modified 02022011
to be cont'd...

21.HEDAYAT IN TRANSLATIONS

20.HEDAYAT AND SATIRE

VAGH VAGH SAHAB/MR.BOW WOW,with MASUD FARZAD
HAJI AGHA
ALAVIEH KHANOM/MADAME ALAVIEH
VELENGARI

19.HEDAYAT AS AN INTRODUCTION WRITER

18.HEDAYAT AS A TRANSLATOR

KAFKA
CHEKHOV
.....

17.HEDAYAT AND OLD PERSIAN LANGUADES

ABOUT WORDS OF FORS ASADI
HEDAYAT AND PAHLAVI LANGUAGE

16.FOLKLORE OF HEDAYAT

OVERVIEW TO RESEARCH FOLKLORE
FOLKLORE OR CULTURE OF PEOPLE
NIRANGSTAN
USANEH/AFSANEH OR LEGEND
PEOPLE SONGS
FARSI MATAL OR ANECDOTE
MAGICS IN IRAN(FRENCH)

15.HEDAYAT AND HASSAN GHAEMIAN,AS A HEDAYATOLOGIST

14.HEDAYAT IN PRINT AND INTERNET

13.LITERARY CRITICISM AND LITERARY INFLUENCES

12.PSYCHOLOGY AND PSYCHOANALYSIS OF HEDAYAT AS A WRITER

11.POEMS DEDICATED TO HEDAYAT

*Please note that my longer poem for SADEGH HEDAYAT,titled:
PARIS 50
appears in a separate post.
--fs

10.OTHERS ON HEDAYAT

9.HEDAYAT QUOTES

SADEGHANEHA
*IT IS IN THIS WORLD THAT AT LEAST YOU MAY HOPESOMETIMES YOU CAN KILL YOURSELF.A HOPE IT CAN NOT EXIST IN THE OTHER WORLD.